

Original pre-release title "Fuck Puppets 2 (2013)" featured a closing scene between Bonnie Rotten and Max Hardcore, filmed in 2012. The footage included Bonnie and Max engaging in rough sex as well as urine and vomit play. Max advertised the film as Bonnie's first scene. Due to a lawsuit brought against Max by Ms. Rotten, the film, which Max was showing off on his website (including a trailer, stills and a boxcover), was pulled. The film was re-released as "Fuck Puppets 20" with Rotten's scene edited out and replaced with a scene between Nikki Nievez and Hardcore. All scenes filmed between 2008 and 2012. Currently there are no volumes of "Fuck Puppets" between 1 and 20. Screener copy of "Fuck Puppets 2" was listed as running 62 minutes. According to the DVD cover of "Fuck Puppets 20", the runtime is 120 minutes.
Director: Max Hardcore
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A love story, a love triangle that gets soiled with blood with the arrival of a fourth character: a serial killer who collects vaginas. Lesbian couple is chased by lover betrayed in the areas of Weird. Blood and sex in the tradition of the 80's Boca do Lixo films with eschatological scenes and total cinematographic metalanguage.

Ingo Hasselbach, whose parents were Communist Party members in East Germany during his childhood, has lived at both ends of the political seesaw. The question of how people reach a change of heart is a profound one; Hasselbach describes the external forces that led to his founding Germany's first neo-Nazi political party and the internal ones that led him away from it five years later.

Centuries-old vampire Count Dracula travels to Victorian London, where he becomes obsessed with Mina Murray—the fiancée of his solicitor, Jonathan Harker—believing her to be the reincarnation of his long-lost love.

After Ingrid leaves John, he allows himself to be pulled into a mystical and scary world where it is impossible to separate truth from lies.

Gudrun has modeled her amateur German terrorist group after the 1970s Red Army Faction (Baader-Meinhof Gang). She attempts to imitate her heroes by kidnapping the son of a wealthy industrialist and hopes to negotiate leftist demands from the father. When Gudrun’s not spouting leftist verses (including during a hilariously brilliant fuck session), she’s trying to convince her all-male gang to abandon their heterosexuality, which she believes is the result of mass delusion.
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