

'69. Peace... love... rock'n'roll... and lots and lots of sex. Those were the days. The music was hot, hard, alive with a sensual erotic message... do it... taste it... feel it... make it burn. Kimberly. Alicyn. Mercedez. The Back Doors. From Venice Beach to the Sunset Strip, they came to play and these girls played hard... rock-hard. They made the kind of music you feel deep in your jeans, body music... a skindance... an electric climax that leave you shaking, sweating and begging for more. The girls are always ready to play... all you have to do is push the right button. Just turn on the stereo, unzip your pants, and turn out the lights... The doors are open.
Director: Gary Graver
Writers: Gary Graver
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A love story, a love triangle that gets soiled with blood with the arrival of a fourth character: a serial killer who collects vaginas. Lesbian couple is chased by lover betrayed in the areas of Weird. Blood and sex in the tradition of the 80's Boca do Lixo films with eschatological scenes and total cinematographic metalanguage.

Ingo Hasselbach, whose parents were Communist Party members in East Germany during his childhood, has lived at both ends of the political seesaw. The question of how people reach a change of heart is a profound one; Hasselbach describes the external forces that led to his founding Germany's first neo-Nazi political party and the internal ones that led him away from it five years later.

A girl, Carola, whose vacation in Kenya takes an interesting turn when she becomes infatuated with a Masai. Carola decides to leave her boyfriend to stay with her lover. There, she has to adapt to the Masai's way of life and get used to their food which includes milk mixed with blood. She also has to face her husband's attitude towards women and what he expects from a wife. Nonetheless, Carola is welcomed warmly into the tribe she has chosen to join.

A mysterious, erotic and haunting love story between a writer/professor at Puerto Rico's leading University and an aspiring artist from the immigrant Chinese community.

Gudrun has modeled her amateur German terrorist group after the 1970s Red Army Faction (Baader-Meinhof Gang). She attempts to imitate her heroes by kidnapping the son of a wealthy industrialist and hopes to negotiate leftist demands from the father. When Gudrun’s not spouting leftist verses (including during a hilariously brilliant fuck session), she’s trying to convince her all-male gang to abandon their heterosexuality, which she believes is the result of mass delusion.
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