

The Sagrada Familia, Antonio Gaudi's most ambitious creation, was begun in the 19th century and is still under construction today. With Gaudi's tragic death in 1926 and the destruction of original models during the Spanish Civil War, the building languished for decades.
Director: Polly Watkins

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On the tiny island of Martha's Vineyard, where presidents and celebrities vacation, trophy homes threaten to destroy the islands unique character. Twelve years in the making, One Big Home follows one carpenters journey to understand the trend toward giant houses. When he feels complicit in wrecking the place he calls home, he takes off his tool belt and picks up a camera.

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Explorations in 21st Century American Architecture Series: Ray Kappe has long been a cult figure in the architectural scene in and around Los Angeles. In 1972, he founded the influential, avant garde Southern California Institute of Architecture (SCI-ARC), where many of the younger-generation architects have studied or taught.

No understanding of the modern movement in architecture is possible without knowledge of its master builder, Mies van der Rohe. Together with documentation of his life, this film shows all his major buildings, as well as rare film footage of Mies explaining his philosophy. Phyllis Lambert relates her choice of Mies as the architect for the Seagram building. Mies's achievements and continuing influence are debated by architects Robert A.M. Stern, Robert Venturi, and Philip Johnson, by former students and by architectural historians. Mies is seen in rare documentary footage.

Amie Siegel’s film installations often reveal the hidden narratives behind architecture and design, investigating the mechanisms by which objects, materials, and spaces accrue meaning and value. The Architects examines the processes of architectural creation, using the artist’s signature slow, parallel tracking shots to offer insight into the inner workings of multiple architecture firms, slicing through them laterally like an architect’s section plan... Siegel not only punctures the myth of the singular “master architect” but also poses questions around creative autonomy, the sociopolitics of labor, and the circulation of capital. (Source: MoMA)
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