

From Victor Hugo`s classic French novel of the nineteenth century to Tom Hooper`s award winning blockbuster, Les Misérables has undergone one of the most successful transitions from book to stage to screen. In this new documentary, the scintillating journey of Hugo`s universal story is traced from book to stage to screen with contributions from those who have starred in and helped to create the entertainment phenomenon which has captured a place in everyone`s hearts. Helmed by entertainment and celebrity journalist Neil Sean, this insightful documentary traces the events of the Paris insurrection in 1832 and features excerpts from the restored 1978 Les Misérables lm starring Anthony Perkins alongside interviews with Frances Ruffelle, Hugh Jackman, Nick Jonas, Tom Hooper, Alfie Boe, Amanda Seyfried, Sir Cameron Mackintosh and Anne Hathaway.
Director: Alan Byron
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This documentary visits the towns and villages of the Alsace region of France at Christmastime. See the charmingly decorated storybook towns and learn of the unique holiday traditions and celebrations. The Alsatian landscape is covered with medieval towns, castle ruins and vineyards, and the communities of the region create a season of enchantment in their celebration of Christmas.

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Journalist Émilie Tran Nguyen invites the viewer to follow her in her quest and discover, at the same time as her, the historical origins of this anti-Asian racism. Told in the first person, alternating archive images, interviews with historians, sociologists and field sequences, this film traces the making of prejudices in the French imagination and pop culture, to twist the neck of stereotypes, deconstruct and act.

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The documentary is titled after Arkadaş Z. Özger’s poem “Hello My Dear” which had caused much controversy in the period it was first published. Considered to be in defiance of heteronormativity, the said poem includes references to the poet’s personality, his family, his relationship to the society, and his “unexpected” death, which came three years after its publication. Today, 50 years after it was written, the documentary follows these same lines in the poem utilising cinematic elements. The documentary also rediscovers the poetics; reaches out to the family, the comrades, the friendships, departing from the official historical accounts, cognizant of his experience of otherness, in pursuit of the “lost” portrait of Arkadaş Z. Özger.
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