

Once a vibrant part of American culture, drive-ins reached their peak in the late 1950s with almost 5,000 dotting the nation. Although drive-ins are experiencing a resurgence, today less than 400 remain. In a nation that loves cars and movies, why haven't they survived? April Wright's lovingly made documentary, filled with archival images of hundreds of open and closed drive-in theaters, interviews with theater owners, operators and cinema luminaries attempts to answer that question.
Director: April Wright
Writers: April Wright
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At the peak of her immense popularity in the 1920s, evangelist Aimee Semple McPherson was drawing larger crowds to her revivals than those of P.T. Barnum or Harry Houdini. This chapter of "American Experience" paints a vivid portrait of the controversial and charismatic religious figure. Credited with mainstreaming religion in American culture, Sister Aimee created one of the country's first Christian radio stations, among other accomplishments.

Kasha Sequoia Slavner, aka The Sunrise Storyteller, is an 18-year old filmmaker, photographer, entrepreneur, young global leader and peace advocate. As a concerned high school student, disillusioned and outraged by the negativity and powerlessness she felt as a consumer of mainstream media, Kasha was compelled to find an alternative narrative. On her 16th birthday on an ambitious mission to travel the world for six months with her mom, camera in hand and no clear road map, she finds herself intersecting with the lives of people determined to rise above adversity.

In 2010, the iconic Tote Hotel – last bastion of Melbourne’s vibrant music counterculture – was forced to close by unfair laws. Filmed over 7 years, “Persecution Blues” depicts the struggle of more than 20,000 fans – and the bands who inspire them – to preserve their history and protect their future, and puts the audience on the front line of an epic-scale culture war.

The unique music documentary about the legendary thrash metal band Destruction.

Titus Andronicus returns from the wars and sees his sons and daughters taken from him, one by one. Shakespeare's goriest and earliest tragedy.
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