K-Hole

On the road to vacation, Jimmy and Guillaume put their relationship back into play. Jimmy becomes a lost hitchhiker, Guillaume a lonely driver. They will play not to know each other anymore, play to meet and seduce each other again. Until a third player joins the game.

After his son insists on bringing his boyfriend to practice, a rugby-mad father fears for his son’s chances of getting onto the national team.

By living his entire life fearing the prejudice of others, Aksel inadvertently made himself the source of true bias. Now, the real victims of prejudice will be revealed, as his secret is laid out for the world to see.

Johnny Minotaur is a lyrical explosion of taboos: incest, intergenerational desire, pansexuality and autoeroticism are a few of the issues Charles Henri Ford grapples with through mythopoeic, sensual imagery, recitations of his diaries and a philosophical debate featuring an impressive narration by such artists as Salvador Dali, Allen Ginsberg, Warren Sonbert and Lynne Tillman.

As they are going to visit their former teacher, Micky, who is seriously ill, three men who were buddies back in their high school years are reunited. Moreover, they go back to the old cram school, reminiscing about their rebellious youth. In the 1990s, that cram school was known for its strict rules and the trio, who loved making trouble, had given the director a big headache until Micky arrived as a new teacher. He not only tamed the boys but became a good friend to them. Micky often talked about romantic relationships and sexuality to the students and made documentaries to speak up for the gay community. It is because of him that the students got to understand the homosexual or even themselves.