

A look at the April 15, 1989 tragedy at Hillsborough Stadium in Sheffield, England, where a stampede in the stadium's standing-room-only areas killed 96 people and injured 766. The film also examines the ongoing efforts of victims' families to seek truth and justice, as well as tangible effects on English football, including stadium upgrades and the emergence of the English Premier League.
Director: Daniel Gordon

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He is considered one of the most important athletes in football history. Franz Beckenbauer was the shining light of German football, won everything there was to win in club football as a player and coach, became world champion as a player and coach and, as the father of the "Summer Fairy Tale", brought the 2006 World Cup to Germany. He was also a pioneering advertising icon and an occasional singer and actor. The man whom everyone in his home country simply calls “Kaiser” shaped the image of the Federal Republic of Germany like no one else. The legendary footballer seems like a national treasure today, but little is known about the person behind the ball artist. Public knowledge of his private life is shaped by his long-term relationships with four women. The documentary, completed shortly before his death, uses archive material and prominent contemporary witnesses from sports, politics and entertainment to weave both facets into a look at a life's work with light and shadow.

It does not happen every day that a gigantic stadium is built on a greenfield: In October of 2001, the citizens of Munich voted with a clear yes for a new soccer stadium in the north of the city. 66,000 soccer fans of FC Bayern and 1860 Munich will find a new common home in the futuristic looking structure. But before that stand four years of work on a construction site of superlatives. The director Wolfgang Ettlich and his cameraman Hans-Albrecht Lusznat followed the construction of the new Munich soccer arena since the first groundbreaking. They have recorded several phases of the construction and did thereby get to know the microcosm of a large construction site from the inside: The logistics, with which hundreds of construction workers have to be coordinated, and the steady growth of the stadium all the way to the perfectly conceptualized illuminated structure, with VIP-boxes, mass restaurants, and Europe’s largest parking garage.

David Asmmann's Football Under Cover documents the hard work involved in setting up an exhibition soccer match, known as a "friendly," between a German girls squad and Iranian women's team. In addition to showing how the two groups come from very different cultures, the documentary showcases what playing the game means to the members of both teams, and displays how passionate the fans of these two squads are.

There's memorable games, there's great games, and then there's simply unforgettable games. But there's only one thing that makes an unforgettable game: a Chelsea victory in true Chelsea style. Relive Chelsea's most unforgettable games from recent seasons, when the Blues have imply been in a league of their own. Featuring: Blackburn Rovers 3 v 4 Chelsea (21st September 1998), Chelsea 5 v 0 Manchester United (3rd October 1999), Manchester United 0 v 3 Chelsea (1st December 2001), Chelsea 4 v 0 Liverpool (16th December 2001), and bonus full match Tottenham Hotspur 1 v 6 Chelsea (6th December 1997).

A documentary tale about sport and politics under martial law. All of Poland saw the great goals of Boniek and Smolarek during the Espana '82 championships. For a moment, it was forgotten that the background of the sporting performance was martial law, censorship, an army on the streets, prisons filled with oppositionists. The performance of the players was so successful that it was called "the most beautiful series of martial law". The game is watched by interned activists of "Solidarity", sports journalists and censors, cutting out all manifestations of the opposition from television broadcasts. We also get to know the performance in Spain from the perspective of the players, trying to meet not only their ambitions but also to bear the burden of fans' expectations and regime propaganda.
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