

A documentary that follows the life of photographer Daido Moriyama in the present, which has never been revealed before. Even though his charismatic presence has reigned over the world of photography since the late 60’s, his true persona had been hidden behind a veil of mystery, since he had refused any major appearances in front of any media in the past. Follow the charismatic photographer Daido Moriyama as he takes his first digital photos and observe his style of quick snapshots without looking in the finder. His stark and contrasting black and white images symbolize his fervent lifestyle.
Director: Kenjirō Fujii
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A documentary celebrating Lee Miller, a model-turned-photographer-turned-war reporter who defied anyone who tried to pin her down, put her on a pedestal, or pigeonhole her in any way.

A documentary on making cameras and photographic equipment, which turns into a philosophical visual essay on the art and nature of photography as it unfolds.

Robert McGinnis' career as an artist is explored from the 1950s when he gained fame as a painter for Dell paperback book covers, through the 1960s when he created posters for such movies as "Breakfast at Tiffany's", "Cotton Comes to Harlem" and numerous James Bond features, up to the present as a magazine illustrator and landscape painter.

Spit Earth: Who Is Jordan Wolfson? is a feature documentary film about this controversial and divisive artist who in the ensuing five years has only solidified his stature with unnerving and provocative new works that elicit extreme reactions from both critical naysayers and vocal proponents alike. Wolfson is not content to play by the rules of a conservative self-policing art market that favors the status quo, instead preferring to make us squirm as he engages a host of lightning-rod issues facing our society today; homophobia, misogyny, racism, white nationalism, antisemitism and violence to name but a few. Wolfson is an art maker on the world stage whose immersive works take on today’s endemic virtue signaling and politically correct narratives, veritably throwing it all back into our faces.
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