

A documentary by Donna Zaccaro about the political trailblazer, Geralidine Ferraro. Featuring interviews with Bill and Hillary Clinton, George and Barbara Bush, Walter Mondale, and Geraldine Ferraro herself, among others, this is a heartwarming and engrossing portrait of the first woman who was nominated for vice president, whose legacy still reverberates today.
Director: Donna Zaccaro
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Alma is a trans woman who was born in Santa Rosa, a small town in the province of Córdoba, Argentina. Before making the decision to change her gender, she served in the police forces of her province, married twice and had four children. At the age of 36, she decided to travel to the city of Buenos Aires to begin her transformation and gender reassignment process, thus fulfilling her desire to live her identity freely.

Fierlinger concentrates his considerable talents as an animator to recount through fragmented memories, vivid recollections, and the occasional evocative photograph his life as the rebellious son of Jan Fierlinger, Czechoslovakian career politician.

A 12-year-old boy tries everything to join a music lovers club.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Charlotte Gainsbourg looks at her mother Jane Birkin in a way she never did, overcoming a sense of reserve. Using a camera lens, they expose themselves to each other, begin to step back, leaving space for a mother-daughter relationship.
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