Women Aren't Funny

The film discusses the traits and originators of some of metal's many subgenres, including the New Wave of British Heavy Metal, power metal, Nu metal, glam metal, thrash metal, black metal, and death metal. Dunn uses a family-tree-type flowchart to document some of the most popular metal subgenres. The film also explores various aspects of heavy metal culture.

In small town Tennessee, a ne'er-do-well man (Knoxville) wrestling for control over his fading golf club is reunited with his estranged daughter, a 14-year-old musical prodigy.

Christy Martin broke boundaries and noses as she rose in the boxing world, but her public persona belied personal demons, abuse and a threat on her life.

Four tuxedo clad men show up at a penitentiary to meet a friend who has just been released after three years in prison and is going straight from the jail to marry his girlfriend. En route to the wedding, one of the men asks to stop by a bank to pick up some cash. As it turns out, he is a wanted bank robber who uses Shakespeare passages during his robberies and thus has become known as "Hamlet". Soon all five men are caught up in the bank and involved in the robbery as they end up in a hostage situation. The hostage negotiator shows up who turns out to be Hamlet's father.

Group of old friends gather in a summer villa to celebrate a surprise birthday party for Mitzi, who is the dramatic focal point of the group. The weekend starts ominously when Mitzi does not respond well to the surprise party. It turns out that Mitzi has just filed for divorce and has been looking forward to a peaceful weekend. The tense situation takes a new turn when Mitzi's best friend brings her new boyfriend for a visit, who happens to be a Swedish film star. Familiar surroundings and the old rituals get to the core of the group and make them forget their adulthood. Revelations, not meant to harm the balance, make them reassess their past as well as their present.