Near the Trail's End

With the railroad coming, Nixon is after the ranchers land. Using a stooge land agent, his method is to claim the person they bought their ranches from never had title to the land and their deeds are worthless. Fereral Agent Johnny Mack arrives posing as a gunman. He is quickly onto the henchman and Land Agent and eventually suspects Nixon is the big boss. But he needs the help of ventriloquist Alibi to bring them in.

Will Kane, the sheriff of a small town in New Mexico, learns a notorious outlaw he put in jail has been freed, and will be arriving on the noon train. Knowing the outlaw and his gang are coming to kill him, Kane is determined to stand his ground, so he attempts to gather a posse from among the local townspeople.

Riders of the Dusk is another of Monogram's formula Whip Wilson westerns. Since the studio couldn't build an entire film around Wilson's bullwhip prowess, a plot was called for. This time around, it's the one about a U.S. marshal who searches high and low for a mysterious masked desperado. The mystery angle is minimal, since seasoned movie fans will be able to determine the mystery person's identity within 15 minutes. As always, Andy Clyde is a tower of comic strength as Whip Wilson's grizzled old sidekick.

A newly appointed US Marshal attempts to bring an outlaw to justice.

Brown's principal antagonist this time is the town boss, an outlaw who has killed the community's leading citizen. The dead man's grown children want to investigate the killing, but the outlaw puts a stop to this by hiring a dance-hall dame to pose as the kids' long-lost mother. Johnny isn't fooled by this subterfuge nor is his sidekick.