Cold Side

When disillusioned Swedish knight Antonius Block returns home from the Crusades to find his country in the grips of the Black Death, he challenges Death to a chess match for his life. Tormented by the belief that God does not exist, Block sets off on a journey, meeting up with traveling players Jof and his wife, Mia, and becoming determined to evade Death long enough to commit one redemptive act while he still lives.

In this black-and-white minimalist short film, a man encounters his lost love in a metaphysical realm. Through symbolic elements like a dove, a fountain, and an angel sculpture, the film explores themes of love and loss. Their poetic conversation blurs the lines between reality and the transcendent. Inspired by ‘Hiroshima mon amour,’ the film invites viewers to interpret the enduring nature of love and the acceptance of loss.

Final entry in Adrian Țofei and Duru Yücel's spiritual trilogy which includes Be My Cat: A Film for Anne and We Put the World to Sleep.

A very short story about creative block.

How would a found footage film look if the footage was never found? This conceptual art experiment questions the very nature of film and cinema while serving as an ironic tribute to the found footage horror pop culture. The found footage format provides the narrative justification for such a film to exist: the non-existence exists because the footage existed yet it was lost and never found.