Beatriz Valdés

The Second Republic has fallen miserably. Simon Bolivar arrives to Jamaica without money or friends, seeking help from other nations to free Venezuela.

The Second Republic has fallen miserably. Simon Bolivar arrives to Jamaica without money or friends, seeking help from other nations to free Venezuela.

The Second Republic has fallen miserably. Simon Bolivar arrives to Jamaica without money or friends, seeking help from other nations to free Venezuela.

The story of Diego, a young and successful photographer that lives in the glamorous world of fashion, shallowness and excess. A tragic accident turns his world around; his partner is now in a coma. Unexpectedly, and right at this terrible time, Diego must take care of his son, Armando. Now, both of them have to adapt to each other; Armando to the unknown, homosexual world of his father, and Diego to the closed attitude of his teenage son.

In 1750, in the glare of the Caribbean, the man who created history known as the forerunner of independence in Venezuela. His name is Francisco de Miranda and, to be exact, is the largest globetrotter who has known the Americas, Miranda has a reputation as an inveterate wanderer, an eternal conspirator, a turncoat, a conqueror of nobles and courtiers, a lover of asylums, libraries, prisons and brothels, has written 63 volumes of his autobiography, a friend of princes, military and world-renowned artists, collector of women and unthinkable dreams, restless fugitive, owner of ten different names, and presented by the British press the moment as the future liberator of Spanish America.

Susana wants to leave the country at all costs. She plans to leave with Felipe, her fiancé, who decides to leave her to return to his family. Tomás and Gustavo plan the assault on a money exchange house to achieve the happiness that life does not give them. Vargas and Gutiérrez tighten the thread of good and evil in a fight where abuse and force win the battle against naivety and impotence. A bag full of money, an unknown path, the number of hours, and the steps of those who follow them, will make it increasingly difficult to cross the mountain and flee to another country. Cerro el Ávila, which borders Caracas, will be the stage where plans and destinations will change course.

Julio del Toro is a successful writer in his fifties, who has always had his life under his control, until the day that, returning from one of his frequent foreign travel, this consistent world will fall into crisis. His daughter has started an affair with a Spanish older than him, his mistress poses a serious ultimatum, a young journalist begins to prepare a report on his work, and he faces the question if he is already finished as a creator. While Julio feels increasingly confused and disoriented, the women around him will make the decisions that he is not able to take.

Franco de Peña's movie deals with three very different love stories, all taking place on the Avenida Libertador, the main avenue of Caracas.

In 1856, a whaler arrives in Paita, Peru; on board is Herman Melville, who is astonished to learn that Manuela Sáenz, for eight years the lover of Simón Bolívar, is still alive. He calls on her, and although she will not talk to him about her life, his visit sends her to her chest of Bolívar's letters. As she reads them, the sepia-toned present gives way to flashbacks in color: she meets 'the Liberator' in 1822, becomes his lover, and also becomes a colonel in his military movement to realize the 'Gran Colombia', one nation across South America. As plague (brought by the ship) closes in on Manuela's household, so does her tempestuous story move toward Bolívar's betrayal and death.

A huge wave is about to destroy the city. Many people leave in panic, only a few remain in the lonely streets. Among them are SEBASTIAN, a skeptical and irresolute young loner; ANA, a woman who seeks in others the passion she can’t live; and an apocalyptic GIRL. They turn the city into a games board where the stakes are love and the end of the world.