Cheng Chih-wei

In the ‘90s in Taiwan, two students share one desk at a high school divided into day and night classes. It is a story of love, friendship, disappointments, and ultimate growth bolstered by a compelling cast of up-and-coming Taiwanese acting talents.

Former bomb disposal expert, Song Kang-Ren, and his fiancée, Huang Xin, board a high-speed train that contains a bomb. At the same time, Liu Kai, a well-known physics teacher who was involved in an affair scandal, also boards this same train in order to win back his wife, Ting Juan, who took the prior high-speed rail to return home in frustration… After all, can the bomb be successfully defused this time? and resolve the crisis?

Chou, a sensitive teen craving independence, struggles as the 1996 Taiwan Strait crisis hits his family's finances and worsens tensions at home. He secretly works at a billiard hall, forming a bond with gang leader Button, but faces setbacks like Button's enlistment and peer conflicts. Caught by his father, their relationship worsens. At school, his crush Min leaves due to war fears, and pressure from a teacher deepens his uncertainty.

Inspired by a true incident rooted in Taiwanese folk beliefs, To Set a Spirit Free begins with a religious fish-release ritual that takes an unexpected turn—someone brings a fish home instead of setting it free. Days later, an elderly man named Sheng-Bo mysteriously disappears. A local temple deity declares that he may have blocked a wandering soul’s path to reincarnation—and has been taken by a ghost. What begins as an act of kindness spirals into fear, accusation, and superstition. As rumors multiply and blame shifts from one person to another, the community slowly confronts an unsettling truth: sometimes, there is no one to blame. When facts fail us, what do we choose to believe—and why? With dark humor and quiet spiritual tension, the film explores faith, folklore, and the stories people create to make sense of the unknown.

In Taiwan, as the 2019 Hong Kong protests erupt across the strait, Zhong-Han, a young silent thug, leads a life divided between his work in a family restaurant and parties in the dark Taipei underworld. But when a questionable businessman wants to buy the restaurant, Zhong-Han is drawn into a whirlwind of events that confronts him with the corrupt power games of his country.

As the birthday song plays, a baby girl is born inside a women's prison, welcomed by four inmates, each burdened by a painful past. When a rebellious newcomer arrives, clashes give way to friendship. After the baby is diagnosed with an eye disease, the inmates form a prison choir to gift the baby girl a final memory. Drawing from real-life stories, director Gavin Lin's heartfelt drama blends humour, music, and redemption.

The Four Brothers of Huan Nan is a charismatic gang known for its vibrant presence. Amid the bustle of Taipei's traditional food market, two of the youths face familial opposition to their forbidden love, while the only female member grapples with her unspoken feelings for the enigmatic fourth member.

The story centers on CHEN Wei and her daughter, seeking refuge from CHEN Wei’s violent husband in the Butterfly Mansion, known for its eerie reputation as a suicide hotspot. Strange events unfold, and warnings from Uncle LIANG, the building’s janitor, and Uncle Shan, the temple caretaker who lives on the top floor, about the unsafe floor are ignored due to financial constraints. Neighbors like Ah Di, who sees spirits, and the forbidden Room No. 613, intensify CHEN’s unease. Substitute manager Xiao Liang cares for CHEN, with her daughter showing joy in his visits. As the Chinese ghost month progresses, supernatural events escalate, revealing a crisis beyond CHEN Wei’s initial struggles.

Hu Guan-yu is passionate about table tennis. He trains with his best friend Huang Xuan, hoping to make the Olympic national team. When a new coach arrives, the team's atmosphere shifts, and they gradually drift apart. A year later, Guan-yu wins the junior national team qualifier. His opponent in the final: Huang Xuan.

It is often said that those who make films are madmen, and those who watch them are fools. A group of individuals strives for the next box office hit, as the director creates a memorable allegory in a tense yet humorous atmosphere.