Jean Carlo Simancas

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Based on the homonymous novel by Nobel Prize Laureate Miguel Angel Asturias, "El Señor Presidente" is a tragic and impossible love story lost between degradation and fear. It is the tale of a fictitious Latin American country living under a fierce dictatorship sponsored by a society in frank decadence. Evil spreads downwards from the ruler, justice is a mockery, and the military spends their time abusing their fellow citizens and enjoying corruption. - Written by Jorge Granier-Phelps

In 1750, in the glare of the Caribbean, the man who created history known as the forerunner of independence in Venezuela. His name is Francisco de Miranda and, to be exact, is the largest globetrotter who has known the Americas, Miranda has a reputation as an inveterate wanderer, an eternal conspirator, a turncoat, a conqueror of nobles and courtiers, a lover of asylums, libraries, prisons and brothels, has written 63 volumes of his autobiography, a friend of princes, military and world-renowned artists, collector of women and unthinkable dreams, restless fugitive, owner of ten different names, and presented by the British press the moment as the future liberator of Spanish America.

The life of great playwright Alejandro del Rey, his searches, his principles, his women and a hostile environment are the backdrop for a wonderful tale of carnal passions, aesthetic obsessions and love for living.

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During a police round-up, Mercedes witnesses the unjust murder of her son, a working-class man, by a police captain. Refusing to accept the official version of the story - that her son was a criminal - she launches a campaign for justice. Santiago, a young journalist moved by Mercedes's passion and determination, begins to investigate the story of the police cover-up at the risk of his own life. As the investigation develops, the film exposes the depth of Venezuela's corruption.

Vittorio finds himself in Venezuela, where Laura his wife, enjoys happy days with the wealthy Domingo Villaverde.

María Eugenia Alonso, almost a woman, still an adolescent, returns from Europe to impose the light of her reason on that of her old house, a temple of boredom, where, as in the ancient and moist churches, the old smell of traditions and race floats.

Benito Zamora, a conspirator against the Perezjimenista government, uses Leonor Montes, a young vedette friend of a colonel, to find information. National Security is pursuing Benito to dismantle the plot.

Fidel, a deaf mugger, sees the possibility of a new life after he start attending to a school for the deaf. However his chances are getting shorter as the a police officer is after his trail.