Luis Ziembrowski

Emma (16) and her father (48) live in a small house at the river on Delta del Tigre, Buenos Aires. Emma is rehearsing a Shakespeare play at school and she dreams to visit London. One day the unexpected happen, her teacher gets an exchange scholarship for her to travel to England. The idea of ​​being apart destroy Marcos and Emma who will have to understand another possible way of loving.

After receiving a significant settlement following a workplace accident, Pablo decides to invest all the money he had promised to use for building a new life with his girlfriend, Victoria, into a business he knows little about. Together, they must deal with the consequences of this impulsive decision.

Mónica organizes a birthday dinner for Martín. In a world where everyone lies, the only truth lies in thoughts. An acid comedy that reveals what we never say.

In a small coastal town, a group of people isolated during the COVID quarantine seek solace and meaning in poetry in the face of death, while clinging to the fantasy of rebuilding their shattered lives. The film intertwines reality and dreams, exploring cinema as a refuge and reflecting on human nature and the power of art to transcend despair.

Atilio begins a new life when his daughter moves him to a nursing home, where he meets Beto, a clever and resourceful man. Together, they sneak out to visit Atilio’s late wife’s grave and accidentally witness a money laundering operation in the cemetery, involving hidden cash in a coffin. Inspired by the chance to change their lives, Atilio, Beto, and Doña Rosa—a sharp woman from the home—team up to investigate the scheme, hoping to seize the opportunity and find new purpose.

Remo's self-destructive behavior overshadows his talent. Abril, an upcoming jockey, is pregnant with Remo's baby and has to decide between the child or continuing to race. They both race for Sirena, a businessman who saved Remo's life in the past but now is determined to find him, dead or alive.

Alejo has decided to leave his previous life behind. He gets a job as a window cleaner in an important building in downtown Buenos Aires. He prefers to go through the most complicated moment of his life in the city heights, immersed in an alien world that forces him to go through unexpected experiences. Vertigo, loneliness, workplace harassment, helplessness and abandonment will turn him into a lonely and paranoid man hanging by a thread that is too fragile.

A group of actors and the director of the play set out through the streets of Buenos Aires in search of people who have never been to the theater. This is an open-ended work in terms of time, blending formats that range from stage performance to audiovisual media, with new episodes added each year. The characters, situations, and settings will be created based on the stories collected from the audience. At the same time, the relationships between the characters and the storyline will evolve over time, intertwining aspects of the real lives of the actors with the impact generated by their efforts to connect with the audience.

Buenos Aires, November 2001. Argentina is embroiled in crisis, with the Peso plunging deeper and deeper. Julio Färber, the charismatic bandoneon player of the 'Vecinos de Pompeya', a five-piece working-class tango band, is trying to keep his head above water, but every month he is earning less and less from their gigs as well as from the traditional shoe shop he inherited from his father. At the very moment he takes the decision to leave his beloved Buenos Aires forever, it clearly appears that life is conspiring against him: overnight, the government freezes all bank accounts in the whole country, preventing Julio from purchasing the flight tickets and sparking violent protests throughout the town. And Mariela, a witty young woman and feisty cab driver, bumps into his car at full speed, damaging Julio's last possession of value before stealing his heart.

Residents of a small rural town discover that a demon is about to be born among them. They desperately try to escape before the evil is born, but it may be too late.