Tamás Cseh

The story of Coyote, Iktome, and the Rock is about generosity. The film takes us into the spectacular and magical universe of Native American folklore following the adventures of the two famous mischief-makers of the Great Plains getting into trouble as they bid defiance to Iya, the sleeping magic rock.

No plot available for this movie.

The makers, especially Péter Tímár wanted to invoke the atmosphere of the communist dictatorship of Rákosi era lasted from 1947 to 1956. I think they've managed to reconstruct it very much: if you read the history books about the era and newspapers from that times, if you listened to your parents' and grandparents' tales, you will experience the similarities are shocking. The main character (Tutti - Károly Eperjes) is excellent, Eperjes, acting an eccentric, but likable crank is in his royal spirits.

Legends circulate in the public consciousness about Kex, which existed from late 1968 to the autumn of 1971. For baby boomers, it represented freedom and spontaneity. The band rejected the world of Communist cultural policy with its uniqueness and refusal to conform, something in which the best of the artistic intelligentsia and political dissidents saw value. They attended their concerts, and the film recalls their experiences. At times, one feels as if they are watching a spy film parody, as one gains insight into the secret files containing reports from agents embedded within the audience.

The movie is set in the actual "Ki Mit Tud?" talent contest in 1962. In reality the contest in dance music category was won by an army brass band. "Omega" which later became one of the most successful Hungarian rock bands came out in the second place.

Live concert at Madarasi Hargita

This Hungarian comedy depicts the exploits of 8 members of a travelling troupe of actors and musicians as they move about the country performing a series of one night stands.

The documentary-television director duo Jolán Árvai and László Sántha, while making an entertaining documentary-report montage about the rock life of the period between 1957 and 1973, were mainly curious about how and why the movement's sad metamorphosis began. What intention and what mechanism of action resulted in the withering away and slow death of progressive trends; the most vital ones becoming manipulable and commercialized? The filmmakers do not tell the answer, and they do not tell anyone. They leave it up to the viewer to decide whether they want to answer at all. Because if not, the seventy-five minutes of Rockfogyatkozás will still pass quickly. It carries within itself the possibility of a multi-part series offering an optional experience, with which several layers of viewers can be satisfied at the same time.

Janos Szasz's music film about Tamas Cseh.

Zoltai is a Hungarian professor who returns home after a visit to the United States. Following a television interview, he commits suicide and leaves a note for his longtime friend Dr. Bardocz. The doctor and Zoltai's colleague Komindi join the police in investigating what drove the man to suicide.