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No Means No is a cross-genre action-packed, teenage musical love story, a courtroom drama that's more like the thrill of a roller-coaster ride as each twist and turn begins to unravel to reach a conclusion that calls out for justice.

An upright ex-army man, Jai fights a solitary war against corruption and injustice. With a simple mantra to pay forward, he starts off by helping one person and forms an ever growing circle of people helping each other.

Amarnath (Rajat Ganguly) is an opposition party leader and wants to stage his own attempted assassination to garner the sympathy vote in the upcoming election. His colleague Shubhankar Banerjee (Biplab Chatterjee) hooks him up with Raja (Jeet). Ganguly is killed by Joy (Indrajit Chakraborty). Police immediately surround the skyscraper. Raja assumes that Joy has died in the accident. Raja goes to the top of the building with the police in pursuit. A passing train offers Raja an escape with a rope to land on the train.

Bengali-speaking Monalisa lives a middle-class lifestyle in Mumbai along with her mom and wheelchair-bound dad. She and her mom had to endure considerable hardships since she was six years ...

Rashmi lives a wealthy lifestyle in India along with her widower dad, Dr. Sanjeev Jaitly. She aspires to be a singer and dancer, and is encouraged by her friends and dad to take this up as a profession. She prepares her portfolio and approaches R.K. Music Co, which is run by Rahul Kapoor. Rashmi is also an ardent fan of established singer/dancer, Mallika Arora, a client of Rahul, and always sends her gifts and flowers on every possible occasion. When Mallika fails to impress the public, Rahul is advised to look for fresh talent, and he approaches Rashmi, and together they release their first album which turns to be a major success. Together they deliver many other hits and also fall in love with each other. Sanjeev initially opposes their romance and eventual marriage as he feels that Rahul and his celebrity lifestyle is not right for Rashmi. He eventually gives in when Rashmi insists on marrying Rahul...

Rana owns a studio. He is in search of a model to work for his studio. Raja, his photographer, brings in Tina. She establishes herself as a good model. Tina is smitten with Rama and wants to wed him.
![Chot [Aaj Isko, Kal Tereko]](https://image.tmdb.org/t/p/w500/h0b81wEXl5ObDpqxsCkaNM2KJLZ.jpg)
Corrupt Mumbai policeman aids local property developer to force two brothers who own a dairy farm off their land.

Pradip Gurung is a fearless young man. He needs 4 lakhs rupees to save an orphanage. He makes a deal with an industrialist Ramsundar Chhetri and goes to a risky mission to collect rare pictures of the meeting of Kalo Cheetah (black leopard) in Darjeeling-Gangtok border area. Pradip meets Sujata, a young lady who leaves her house after falling out with her elder sister. The duos go for the adventure and subsequently involve with a series of mysterious incidents.

Yashwantraj Mankotia (Om Puri) has brought up the daughter of his late friend, Amrita (Juhi Babbar) with love and affection as his own daughter. He plans to marry her to his only son, Randeep (Sharad Kapoor), who is settled in Canada. Randeep is reluctant to visit India to see his father, but does so when his father feigns heart trouble. Randeep is upset that he has to leave his business. He gets even more upset when his father proposes marriage with Amrita. Randeep reluctantly agrees to marry Amrita in order to get his father's inheritance. After the marriage, Randeep and Amrita travel to Canada, where Amrita finds that Randeep has a live-in girlfriend/spouse/business partner by the name of Simone (Saadhika).

This film dramatizes events that occurred as the hostility between India and Pakistan over Kashmir came to a head in 1999, when more than 1,000 men crossed the "Line of Control" that separates the two locations. Taliban and Pakistani soldiers took over the area, blocking the main road that linked the regions. Standing their ground, Indian soldier drove them away, but not without losing more than 400 of their own men first.
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