Hale Soygazi

Hayalimdeki Sahneler aims to explain and analyze scenes from 3 heavily queer coded Turkish films from 80s.

No plot available for this movie.

Sawdust Tales is a whimsical and timeless parable on survival in hard times and the force of a first love against all odds. In a timeless no-mans land scarred by social decay and imminent war, a circus troupe awaits the arrival of the mysterious Rupert who is to deliver them from danger into a better world. The old and wise tightrope master keeps a watchful, loving eye on his young apprentice who, to his concern, could be drafted into the army at any moment. To make matters worse, the boy falls in love with a mermaid...

Five short films by five directors based on themes of love and tolerance, each independent of the other. Supported by the Ministry of Culture and Efes Pilsen. The collection includes five short films: Ömer Kavur's "The Meeting," İrfan Tözüm's "Monte Cristo," Yusuf Kurçenli's "Because I Love Her," Erden Kıral's "Moon Stories," and Zeki Ökten's "Always the Same."

Cazibe is a woman in her late thirties, who has never got married or had a relationship with a man in her life. She lives with her old mother and her uncle who feels an attraction towards her. The lonely woman, whose only existence is her small room, spends all her time in this old room, dreaming and fantasising about her ex-lover.

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Feryal and her husband Sinan have one rule in their relationship. They can have any relationship they want, but they must be honest about it. In a way, this is much more difficult than simply being faithful in marriage.

Işık visits a friend's summer home to spend some time alone after growing up under the strain of her surroundings and family. Here, she reflects on her prior issues and the challenges she has encountered as a woman.

The story of a family who moved from a village to Istanbul with two children in order to live a better life, but ended up living in an abandoned bus due to poverty and lack of accommodation.

Aygül is an unhappy woman who is trying to raise her four children without the help of her unemployed, no-good husband. She starts working in a factory and this becomes the igniter of her consciousness-raising process.