Boro Stjepanović

The history of Bosnian cinematography over 75 years of existence.

Family Susic lives everyday Bosnian story. Father Muhamed (63) is employed in a reputable company; mother Marija (60) is retired. Son Sasa (35), who spent the war in Army of Bosnia and Herzegovina, lives with his parents, while their daughter Senada (40) lives in Slovenia. Their life begins to fall apart because of father's dissatisfaction after his company is sold on the stock exchange, Sasa's negligent attitude towards work and family, Marija's breast cancer diagnose. When problems begin to line up Muhamed and Sasa realize that actually only family is important, that it is man's last oasis

Zeko, a barber and ex-soldier suffering from Post-Traumatic Stress Disorder, invites his brother Braco and his friend Švabo to Eid festivities. He intends to take advantage of the festive mood and ask his brother, a gambler and alcoholic, to change his ways. Braco doesn’t want to listen and will not take the conversation seriously. Zeko puts a razor under his brother’s neck, forcing him to promise he will change; furious, Braco leaves, telling Zeko he will never see him again, while Švabo suggests that Zeko see a psychiatrist. Alone, without his only friend and his brother, Zeko decides to kill himself – until Muki, a young man selling books door-to-door, stops him.

People from the city, working to prepare for a new road, come to one underdeveloped Montenegrin village where they encounter the locals.

The war has ended. Villages of Bosnian Croats have been destroyed, and they are living in the homes of the Croatian Serbs. An old man, a Bosnian Croat, disappears. A policeman Filip, himself living in a Serbian home, investigates the case uninterestedly. Through the relationship with his father, Filip tries to understand the motives of the missing old man. As the film moves towards the end, Filip’s investigation becomes more and more personal.

When a passive young businessman is conned and thrown into great debts, he and his mother concoct a desperate escape plan - to fake his death, stage a funeral, then hide him out in the attic. When he sneaks out to visit his girlfriend, he is spotted by the neighbors, who jump to the conclusion that he is a vampire risen from the dead. It's not long before the news of a lurking vampire attracts waves of tourists, including some mobsters who aren't completely sold on this whole vampire story.

One day in the lives of the Belgrade tower’s tenants, whose destiny is never going to be same from then on.

The plot of this film can be viewed from a two different levels. The first is universal and deals with the psychological theme of need for competition in the group, highlighting the need for the victory, which in life usually does not depend on the true virtues of the winner, so the result is usually tragicomic. The story talks about the choice of the most noble work. Selected participants arrive at the guesthouse on the border between Croatia and Serbia to prepare for the final act of the competition and the jury's decision. Seven competitors have a rather narrow view of the world. Even when the big events, such as ethnic conflicts in this part of the Balkans, the contestants insist to proceed the competition and to choose the hero of heroes, even though the very idea of competition has become anachronistic under the pressure of current events (the anger of the local Serbian population of the newly established Croatian authorities).

Five scenarios in which people have trouble distinguishing truth from illusions. Each segment reflects the motto of Voltaire's Candide: "Optimism is insisting everything is good, when everything is bad."

A couple of morticians entertain themselves by betting on how many cold customers will come in that day. But one of the corpses refuses to cooperate...