Tally Brown

In his essay film, Jerry Tartaglia, longtime archivist and restorer of the film estate of queer New York underground, experimental film, and performance legend Jack Smith, deals less with Smith’s life than with his work, analyzing Smith’s aesthetic idiosyncrasies in 21 thematic chapters. It's a film essay about the artist’s work, rather than a documentary about his life. An unmediated vision of Jack Smith, an invitation to join him in his lost paradise.

A tough, New York City ex-cop relentlessly searches for his kidnapped teenage daughter whom is held by a twisted psycho after mistaking her for the daughter of a wealthy businessman.

Tally Brown, New York is a 1979 documentary film directed, written and produced by Rosa von Praunheim. The film is about the singing and acting career of Tally Brown, a classically trained opera and blues singer who was a star of underground films in New York City and a denizen of its underworld in the late 1960s. In this documentary, Praunheim relies on extensive interviews with Brown, as she recounts her collaboration with Andy Warhol, Taylor Mead and others, as well as her friendships with Holly Woodlawn, and Divine. Brown opens the film with a cover of David Bowie’s “Heroes” and concludes with “Rock ’n’ Roll Suicide.” The film captures not only Tally Brown’s career but also a particular New York milieu in the 1970s.

Half-travelogue half Lambert’s fictional attempt to find his identity in the gay crowd in Central Park, Harlem, and Brooklyn.

A Romani antique dealer, who is also a private detective, gets involved in a murder case when one of his colleagues is accused of committing the murder.

An African-American GI retires from the US Army in West Berlin to live with his white girlfriend, who already has a baby with another black man. After an argument with her family, she deserts him as well. Despite finding a job and a new place to live, he keeps running into racism, which also manifests itself in sexual intimidation.

A man investigates the grisly crimes that occurred in a former insane asylum, unsettling the locals who all seem to have something to hide.

A young German Jesus-like figure journeys somewhat aimlessly through the poverty of Glasgow's Gorbals, New York, and Calcutta, encountering eccentrics and misfits as he travels, before reaching some sort of peace in Hawaii.

An aspiring actress from Kansas comes to New York and meets a host of zany characters.

In 1969, Taylor Mead complained to his friend artist Wynn Chamberlain that Andy Warhol had never paid him for any of the work he had done for him and Wynn said he would make a film especially for Taylor. Inspired by the banality of 1960's television, Chamberlain wrote and directed Brand X, an 87 minute series of faux television shows spoofing the politics and mass media of the day, complete with commercials for Sex, Sweat, Computer Dating and Peanut Butter. BRAND X follows Taylor Mead through a day in a wacky television studio as he portrays an exercise guru, a talk show host, a veteran returning from the American Civil War, a hospital patient in a soap opera, the President of the United States and a televangelist giving the Nightly Sermon. BRAND X satirizes President Nixon, the Vietnam War, sex, drugs, computers, money and race relations.