Diana Lein

Wall Street stockbroker Rosario Fuentes returns to her grandmother's apartment after her sudden death. While sorting through her belongings, Rosario discovers a hidden chamber that's filled with occult artifacts tied to dark generational rituals. As supernatural occurrences begin to plague her, she must confront her family's buried secrets and face the truth about the sacrifices and choices they made.

Three objects are used in a manner in which they weren't supposed to be. Something unprecedented happens: armed with a voice and conscience, these objects will reflect on the absurd arguments that support domestic violence.

1963, the Soviet Union intercepts a rumour that China pretends to assassinate the president of the US in his visit to Mexico. Filiberto Garcia, a local policeman, has 72 hours to investigate the Mongolian Conspiracy.

After suffering a violent incident, a woman decides to become a vigilante, defending every woman who has suffered from physical or psychological abuse.

Augusto, a university professor, finds his wife with another man, so he shoots himself with a pistol in front of them. He survives in quadriplegia, without being able to speak or move.

This is not another standard biopic about Frida Kahlo. “Two Fridas” is a poetic film, based on the relation between the Mexican painter and the Costa Rican nurse Judith, who took care of Frida during the final years of her life.

Primos is a story of binaries, leaded by fantastic apes. A tale of two visions of one place. Matter and spirit come together to transform the nature of these apes.

Gaby, Fer's mother and Silvia, Diego's mother, live their lives happily, until one day, due to Diego's kidney disease they find out that the kids were switched at birth. In order to save Diego’, both mothers end up in a legal battle to see who will have the custody of which kid.

Ana and Leo, are marked since childhood by a sudden event: the suicide of their father. Separately, they take life as they can, without removing the feeling that anything can become as disposable as plastic.

Emiliano looks at his life with the eyes of a film director, mixing the objective reality with the processes of the artistic creation. The story he is filming flounders with his daily life, until his world is trapped in the lens of his camera. Confused, always alone and in front of a screen, now become a transfigured reality, but at the same time a measurable, controllable and manipulable one, he listens in loop to a song: one of those songs you sing or repeat as a prayer and forcing you to remember, believe and convince yourself.