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After five years, the German occupation of Norway ends on 8 May 1945. The rebuilding of the nation can begin, but first the final chapter must be written. In a dark cell at Akershus Fortress sits the man who committed the greatest treason of all: Vidkun Quisling. Now he must be held accountable for his actions and the atrocities that Nazi ideology led to.

The film is a personal reflection on the 1970s and the traces the era has set. The film is also an exploration of Nils Yttris's circumstances, mindset and destiny.

The film is about Viktor, an eleven year old boy who has only one hero in the world, his older brother. Viktor and his buddies, Roger and Arnor are trying to start a band to be cooler. Something that does not seem to work out.

A circling roadmovie told from the back seat of a styled BMW.

While Eva Magnus and her daughter, Jenny, are taking a walk, they discover a dead body floating along the riverside. Eva runs to the nearest phone booth and pretends to call the police. Then she leaves the body for someone else to find. Why? Konrad Sejer, the police officer investigating the case, links it to another unsolved murder of a woman killed in her bed. A woman that used to be a childhood friend of Eva Magnus.

Adapted from a novel by Norway's justice minister Anne Holt. Lesbian policewoman Hanne Wilhelmsen (Kjersti Elvik), who has a live-in lover, tools about Oslo on her Harley-Davidson. After a number of women vanish, police find blood but no bodies, and Wilhelmsen begins a search for the suspected serial killer.

The successful lawyer Karen Borg is out walking her dog when she discovers a dead body. A junkie, but soon the police have more than one murder to solve.

When Edvarda arrives at the little Norwegian village, to stay with some family, she find the Lt., Thomas Glahn, very interesting. Soon they fall in love. It's a very passionate relationship, but this leads to problems. Both of them are very strong in their opinions, and both are behaving a little strange. Love turns to hate, and instead of doing all they can to please each other, they do all they can to hurt the other person psychological. They both do a great job, and what began as a love story turns into a sad and depressing story of two ruined persons. The story is told by Thomas Glahn from his "exile" in Thailand, where he in the beginning of the movie receives two green feathers from Edvarda.

12-year-old Ragnhild hears a legend about a mad horse that long, long ago ran away from its owners and fled to the mountains. Since then, no one has seen the wild animal. Until now. Ragnhild hears noises in the night and catches a glimpse of a large, black figure trampling in the yard. Shortly afterwards, the animal is gone. She tells others about her experiences, but no one believes her. She therefore decides to travel up to the mountain farm and stay in her family's old cabin. Perhaps she will see the black horse again there. She takes her best friend with her to the mountains in search of the so-called "Wild Horse." However, the wild animal is not the only danger posed by the mighty Sunnmøre Alps. Dangers lurk everywhere in the wild landscape, and hunters are also hunting in the same area. They shoot almost anything they come across.

After a series of ever more daring raids on laboratories and farms to rescue what they believe are mistreated animals, a radical commune of animal liberationists find themselves under a vicious attack by the very groups they had expected the least trouble from: other (more moderate) animal liberation groups. At the instigation of these more moderate groups, the only rich boy in the group is arrested, and he becomes subject to a smear campaign which has him bedding all the women in the group - a particularly damaging libel, because one of the girls is underage. This is the first film to be directed by Thomas Robsahm, the Norwegian son of the great Italian actor, Ugo Tognazzi (now deceased)
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