María Dupláa

When a mystery woman appears in Julia's daily life, she starts believing that a rare neurological disease is taking control over her body and mind.

It's been four years since Sylvie's son Felipe was abducted by his father Pablo after their divorce. Having been let down by the French officials who had succeeded in tracking both them down, only to let them escape again, Sylvie has now decided to take matters into her own hands.

"Uno" ("One") enjoys his loneliness, but when he falls in love with "Una" ("She") and loses her, he realizes he needs her and tries to get her back.

A story about metaphor, exploring metaphor rather than a naturalistic or contemporary narrative, avoiding the discursive. It's not difficult to find the parallel between what happens and what actually happened: a family (us as a society) protected by a violent drunk (the government at the time), his wife and son, naked victims of their father's violence and impotence. The well-meaning bourgeois family (the cultural empire of good manners) seems to be restoring order when, in the face of such a situation, what they're actually doing is appropriating what they need under the guise of imperialist civilization. Reading it merely as a vampire story reaffirms this metaphor: out of our ignorance, we despise what conquers us, only for it to conquer us again without hesitation, with morality and good manners on its side.

No plot available for this movie.

Rosario is a paid assassin who kills men who mistreat or abuse women. When the police capture her, it's the end of the myth. But Maria, a hysteric invalid, saves Rosario in exchange for a different job.

A magazine entitled Sighs Heart's succeeds surprisingly horoscope to Fernando Valbuena de Montijos, a young Spanish businessman living in Buenos Aires. About to make an important business decision, Fernando will want to know his horoscope of the following month.