Bill Weeden

Kareem and Johnny are two comics in New York struggling on the circuit. In a last-ditch attempt to kickstart their careers, they decide to put together a comedy showcase, but the only place they will let them do it is Kellogg's Diner, an old-school joint in Williamsburg, Brooklyn.

After being apprehended by police during a big banana heist (and, you know, all the murders from the first film), the Psycho Ape! is put on trial for his crimes and sentenced to 25 years in prison.

An interview with Bill Weeden about The Once and Future Smash

In a future dystopia, a man with Down syndrome joins a rebellion against America's cruel dictator who has put all people with disabilities back into institutions.

A dark farce that explores feminism, materialism, and fetishes. Pat Padula, a seemingly connected man in the neighborhood, expresses his love for the free-spirited Dottie in an atypical family therapy session. But why in a motorcycle garage? Dottie is a bluntly aggressive woman who takes Pat's need for her as a threat to her independence. Meanwhile, the attractive young female counselor is having her own problems navigating in a man's world, which sets her on a collision course with Dottie.

In 1970, Mikey and William both portrayed football cannibal Smash-Mouth in the influential cult hit, End Zone 2. Now, 50 years later, only one can wear the mask.

In this darkly comedic and uniquely angsty journey, twelve vignettes chronicle a young woman's inner monologue as she visits various NYC beaches in hopes of fulfilling her dream of being eaten by a shark.

An NYPD Detective is shot by one of his own, benevolent brothers in uniform. Communities are ignited - to march for justice. Gangs put their differences aside - for a united fight, an equal opportunity. “That people not be judged by the color of their skin but for the content of their character.” The movement and unity impacts City society and leads to a Blue Wall intervention within the Police force. White cops lust for change and act on it - by flushing out racism. Not an easy fight. In the end, what was considered impossible, became possible.

In this thrilling and dryly funny sequel to the acclaimed low-budget hit Ramekin, Emily (Jamie Saunders) and the porcelain dish return for a self-referential, mind-bending adventure through the horrors of both filmmaking and romance.

A woman recalls her life and musical career choices in New York City through the years.