
Sean Price Williams is an American cinematographer and film director. Williams is known for his work as a cinematographer, frequently collaborating with Alex Ross Perry and the Safdie Brothers. He made his directorial feature film debut with The Sweet East.
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98-year-old Joy Kane, a music teacher and ex-dancer, shares stories and plays piano with her daughter Carol. Their afternoon together reveals artistic lives, family bonds, and their paths across two centuries.

Since 1987, and for almost three decades, New York cinephiles had access to a vast treasure trove of rare films thanks to Kim's Video, a small empire run by Yongman Kim, an enigmatic character who amassed more than fifty thousand VHS tapes.

A high school senior from South Carolina gets her first glimpse of the wider world, picturesque cities, and woods of the Eastern seaboard on a class trip to Washington, D.C.

A soul-battered New York chef begins unraveling during a trip to Hong Kong.

A rollerblading drug dealer runs into trouble when one of his customers dies.

Cinematographers Ben Kasulke and Sean Price Williams discuss their relationship to and the cinematography of Letter from an Unknown Woman. An extra on Olive Signature's Blu-Ray release of Letter from an Unknown Woman.

Get to know the siblings whose films have captured the skittering pulse of New York’s city streets. An original documentary featuring footage from the making of their new thriller, Good Time, along with several of the brothers’ early features and shorts. Produced by the Criterion Channel for their "Meet the Filmmakers" series.

A true crime concert doc about David Byrne and two escaped convicts.

The story behind the acclaimed film, "Heaven Knows What," directed by Josh and Benny Safdie, and inspired by the life of Arielle Holmes.

Aspiring but less than ambitious photographer Nate clumsily navigates the New York City art world in a post-grad haze, waiting for his breakthrough project to fall into his lap. During a drug-fueled wormhole through the annals of YouTube, Nate discovers his next subjects when an arbitrary click lands him on a crude music video by the Young Torture Killaz—an Insane Clown Posse knock-off group of jaded Delaware teens with a lot to scream about—and the inspiration (and exploitation) flows
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