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Matys is an outsider who moved from Ukraine to Czechia with his sister in search of a better life. It turns out the situation there is not ideal either. A glimpse of hope comes when Matys manages to get a job in a cottage located in the heart of a splendid forest.

"A documentary anatomy of mass murder for one monitor and 34 talking heads." These are the words the filmmakers use in the credits to describe their project, which thematises the execution of more than 260 Carpathian Germans, Hungarians and Slovaks by Czechoslovak army soldiers near Přerov in June 1945. The “massacre at Přerov” is made present through a minimalist dramatisation of the interrogation footage of direct participants, eyewitnesses, and others. It is as if the characters of ancient theatre were entering the Zoom “stage” and delivering a tragic message of fear, hatred and disinterest across the chasm of time.

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This time, Captain Vašátko of the criminal police and Horác, a painter, bohemian, and amateur detective, will be searching for the murderer of the author of so-called computer poems. Kristián Vích is a mathematician approaching forty. He is very popular among his colleagues. He is secretly dating Tereza, the wife of his rude colleague. The lovers are planning Tereza's divorce and a life together. However, Vích's despotic mother has other plans for her son and a favorite among her colleagues. One day, Kristián's body is found floating in the river, and the perpetrator is, of course, unknown...

New recording of the most succesful play of Prague's National Theater starring Miroslav Donutil. Goldoni's comedy "Servant of Two Masters" is typical example of classical "commedie dell'arte". Beatrice arrives in Venice dressed as her brother who was killed by her lover Florindo. Florindo also escapes from Tourine. Beatrice hires Truffaldino, a servant who also lets himself be hired by another master to get twice as much money and food. The second master is indeed Florindo, who coincidentally accomodates in the same hostel as Beatrice...

On the eve of May Day, a Prague actor’s insistence on “doing the maypole right” sparks a drunken village bet and regretful hangovers as tradition and hometown pride collide.

In a Czech school friendship grows between a teacher and a student. The friendship turns into an intimate relationship. Till the student begin to blackmail the teacher.

Teenager Kristina Kleinburger, daughter of the commander of a concentration camp, arrives from bombed-out Berlin to visit her parents, whose life represents a world of harmony and peace for her. Her parents try to reinforce her illusions with ballet lessons, which are to be given by a former Hungarian prima ballerina. In a single day, contrary to the intentions and plans of her father, a typical German officer, Kristina's ideas and illusions about her parents' society and the security of home collapse, and the whole perversity and monstrosity of the German war and totalitarian mechanism emerges before her with tragic inexorability and the echo of the approaching end of the war. The story, setting, and characters of the film are fictional, only the tragedy of their fates is real.

As the name suggests, the movie is about football. It is not about big league soccer, making huge money. It is about football, which lives just from village fans enthusiasm, from the enthusiasm of fathers and their sons and club officials. And yet on this battlefield, where the pub and silent household alternates, it is often about everything: friends, family, the meaning of life. It is about playing fair, but also about fighting below the belt. It is about winning, but also about falling into the abyss of the league wilderness.

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