Laurice Guillen

Nora Aunor, the Philippines' one and only Superstar touched and changed their lives forever. They catapulted her to a phenomenon that happens only once in a lifetime.

Amid the cutthroat world of showbiz, a team of talent agents juggles celebrity egos, industry politics, and personal ambitions — revealing the chaos behind the spotlight. A film cut of the two episodes of Call My Manager.

“Guardia De Honor” is about a family grappling with a present tragedy and a dark past. A policeman is interrogated by a neophyte investigator on the killings of a mother and son on the eve of the new President's inauguration.

A single mother, who had an ominous dream about her husband who passed away before her, tries to reconcile her two sons. With the help of the local community, peace seems to be coming to the family, but soon the entire region becomes embroiled in serious violence due to the unexpected intervention of government forces.

From the music of UK composer Nainita Desai, Filipino filmmaker Brillante Mendoza crafts a story about a widowed mother who tries to reconcile two brothers feuding over a piece of disputed land in Mindanao. This short film is part of the 2x25 Project of Film Fest Gent and the World Soundtrack Awards. The project commissioned 25 composers to compose a short piece of music, after which 25 filmmakers made short films that are the ultimate symbioses of music and cinematography, fitting completely within the DNA of the festival. The result: 25 exceptional films where the music inspired the form, narrative and texture.

A one-of-a-kind legacy project produced by TBA Studios, Habambuhay is a homage to the centennial anniversary of Philippine cinema–an insightfully entertaining documentary series, revisiting the personal experiences of those who work in front of or behind the cameras, those who have shaped the film industry of the Philippines for the longest time.

Doña Atang, a once celebrated film producer from the earlier years of Filipino cinema, celebrates her one hundredth birthday. For her wish, she wants a reunion with all the actors and staff that she has worked with in the past. She is also looking for an unfinished film from one of her directors. Her grandson Michael decides to take the task of finding them. As he does, we remember the glorious years of cinema from its workers–fragments of a colorful past filled with faded memories.

Filipino director Adolfo Alix Jr. returns to the Festival with this timely story of a couple caught up in Rodrigo Duterte’s violent war on drugs when their son goes missing.

Inspired by the much-publicized travails of Benhur Luy and Janet Lim Napoles, the film opens with a police operation that leads to the recovery of a certain Zeny Roblado who has been unduly detained by her boss Lorna Valera. From there, Zeny spills whatever she knows of Lorna's shady operations to Teresa, a journalist.

The documentary serves as a tribute to National Artist for Cinema Gerardo de Leon in celebration of his Centennial Year. “Salamat sa Alaala.” is inspired by the music composed by the late film director when he was a teenager playing background music for silent movies in Manila theatres. The video opens up with a capsulated history of the birth of the Filipino movies followed by a series of shots of veteran actresses, the academe and the young generation of filmmakers affirming his unique qualities as a world-class film figure. Then we unravel his private life as a family man. The documentary is one way of thanking him for his lasting legacy in the art form he left behind.