Lotti Huber

No plot available for this movie.

Neurosia is the autobiography of the director Rosa von Praunheim. The movie begins with Rosa presenting his autobiography in a movie theater. Before the film begins, he is shot. But - his body gets lost. A female journalist from a TV station begins researching the life of Rosa. In the course of the movie she speaks to lots of aquaintances, shows short clips from Rosas old movies. Her main aim is to provide sensational and shocking details from Rosas life. It turns out that nearly everybody had some reason to kill Rosa. At the end of the movie, she discovers Rosa at a boat where he is kept prisoner by some of his old enemies. She frees him, and the movie ends.

No plot available for this movie.

No plot available for this movie.

Although too long by half, this documentary is subtitled "A Trip Through Lotti's Life" and that is essentially what it is. Although done in a style that keeps you guessing what is true and what isn't about her life -- everything from her Aryan lover and her stay in a concentration camp while he is killed for their forbidden love -- it is a fascinating look at this remarkable woman through the eyes and viewfinder of Rosa Von Prauheim.

A satire about corruption, about big and small crimes: The noble clochard Maxwell, the unsuccessful film producer Harry and the unemployed actress Wally are anything but kissed by luck. But that changes when the three get in the way of a corporation, who, with the help of bribed politicians, tries.

Feature film.

In modern-day Berlin (1987), Frau Kutowski goes insane, believing herself to be the (real-life) notorious Anita Berber, a nude art dancer/drug addict/scandalous figure of post-WWI Berlin. (Berber died of tuberculosis in 1928, having achieved significant success and recognition throughout the dance world.) Frau Kutowski is placed in a mental hospital, where in her own mind she acts out Berber's final days, including in her fantasies the hospital's staff and patients, to represent Anita's friends and associates.

Two pilots fly newly hatched chickens from Germany to Egypt. One of the chickens causes a stir.

Hámos' fascination with the cultural mythology of the hero culminates in this witty, elaborately crafted drama, which was produced for European television. Hámos intercuts two parallel narratives to tell his story: a cartoonish, campy science fiction adventure, shot on video; and an elegant, cinematic political thriller, shot on film. Hámos blends the two genres into a tragicomic tale of the role of heroes, their immortality, and the catharsis of a heroic death. The science fiction melodrama features a comic book superhero, Hurry Cane, who saves the earth from the evil Emperor Argon; in the film noir, hired killers have a contract out on the hero Cane. Hámos' analysis of the myth of the hero is articulated in his collusion of the two stylized dramas and their contrasting representational modes..