Konstantinos Tzoumas

The acclaimed Greek director returns with a bittersweet story about the need for human contact. Two men are hired to keep watch on a home in Athens, where a room is illegally built. They will meet many passers-by, some of whom are in fact building inspectors attempting to catch them in the act.

A Documentary about Nikos Nikolaidis' work. Nikos Nikolaidis was an acclaimed film director and author from Greece. He is famous for creating controversial characters in his films that have a rebellious attitude towards the social and political status quo. He illustrates a dark and pessimistic present and future, but also providing ambiguous hope for the end when his heroes find their escape in death. His films are shocking and contentious, raising questions during times when political visions start to fade away. His filming was poetic, dynamic and aesthetically beautiful in order to present situations on edge and elicit his audience's feelings. The aim of this project is to transfer his dynamics in a documentary that will convey some of his messages and create a platform for exchanging opinions among filmmakers from all over the world, in an effort to decipher his universe and his symbols as reflections of his unique and rare personality.

When Alkis is released from prison, he accidentally meets a girl and falls in love with her. She will return to her rich friend and Alkis finds his old collaborators, with whom he organizes another robbery. But when they enter the bank ...

1950s Athens. Prince, a self-made impresario and the owner of the "Acropole" review theater, fires one of his leading ladies when she shows up drunk on opening night. In order to replace her, he turns to Lakis Loizos, an expert at comic female roles and an ex-wonder-child of movies, who now runs an agency for extras. At first, Lakis is surprised by the prince's proposal, but finally decides to try his luck on the stage of the legendary theater.

Twelve-year-old Vasilis escapes the orphanage, wanders a while in the capital and then takes the train for his hometown, Tripolis. As he wanders through the mountains of Arcadia, he meets a girl whose car has broken down. They become friends and spend the summer together, until Vasilis returns to his grandmother's house, which he finds abandoned and in ruin. The girl disappears, and Vasilis, deserted and alone, takes the road to Tripolis, where, in order to make ends meet, he performs odd jobs. On the day celebrating his patron saint, however, he abandons the city and takes the road back to his village.

No plot available for this movie.

Two parallel stories complement each other. The first recounts the investigation of a journalist and an actress who, through a radio program, attempt to identify parallels between terrorist acts of the present and the past. The second takes us back to 1948 and describes the events that led to the murder of American journalist George Polk in Thessaloniki, guided by the investigation of the two protagonists and the testimonies of various individuals.

In this adolescent-oriented drama, a young woman is forced to attend a posh finishing school in the Mediterranean. She vents her anger by rebelling against the cruel and sicko headmaster. When she discovers that he has been secretly photographing them naked and profiting from the pictures, she rallies the other girls and gets revenge.

Giannis Giannakis, released from psychiatric hospital after many years, decides to return home to his parents. On his way back he slowly discovers that the outside world is crazier than he thought - and starts to question whether he'd be better off back in the psychiatric ward.

An aspiring burglar of a television station falls asleep in the armchair of the General Manager, who has just been dismissed by the Minister responsible. The next day, everyone believes that he is the new General Manager. With the authority he has been given, he changes everything at the channel, causing panic for the program director and driving the real new General Manager to paranoia, as no one takes him seriously anymore.