Carlos Diegues

Filmmaker Roberto Farias' passion for cinema is revealed by his daughter Marise Farias through an intimate look, from childhood to his political, economic and cultural role in Brazilian Cinema. Through Roberto Farias himself and friends such as Luís Carlos Barreto, Cacá Diegues and Zelito Viana, the film tells the stories of the director who achieved a direct dialogue with the public through successes such as O Assalto ao Trem Pagador (1962), the trilogy with singer Roberto Carlos (1968 to 1971) and Pra Frente Brasil (1982). Texts from an unpublished book of memories are interpreted by his brother, actor Reginaldo Faria.

Vladimir Carvalho's Cinema of Inequality marked the documentary filmmaker's trajectory over decades of activity. Considered one of the most important Brazilian documentary filmmakers in activity, his images influenced the emergence of Cinema Novo and the new Brazilian documentary years later. Quando a Coisa Vira Outra covers the most important films made by Vladimir, revealing where ideas come from to show the true reality of a country.

An authentically marginal cinema created in Catholic university in Brazil. One of the most intriguing and imaginative moments in modern cinema in the voice of some of its select conspirators—with Carlos Reichenbach at the lead—, and through the most razing flow of images that can possibly be conceived.

Arroz, Feijão e Cinema is a record of the transformative impacts that a popular movie theater, Ponto Cine, brought to the lives of the population of Guadalupe and adjacent neighborhoods in the Rio suburbs through a program exclusively of Brazilian films and projects from audience formation.

A reflection on the works and thinking of the last years of production by Torquato. Such as the magazine "Navilouca", the film "Terror da Vermelha", the column "Geleia Geral" and the controversial Cinema Novo X Marginal, among other passages important aspects of Brazilian culture in the 60s and 70s.

In 1965, a year after the military coup in Brazil, an oasis of freedom opened in the country's capital. The Brasília Film Festival: a landmark of cultural and political resistance. Its story is that of Brazilian cinema itself.

This film seeks to rescue the role of filmmaker Neville D'Almeida by using many rare images, numerous interviews, vast archival and audiovisual material.

Follows the story of Opinião, a theatre group created in 1964 during the early Brazilian dictatorship period to oppose the government through artistic performances. Considered the first left-wing response to the dictatorship, the group gathered now famous Brazilian artists such as Nara Leão, Maria Bethânia, João do Vale and Millôr Fernandes.

The intense life of Ferreira Gullar, one of the most influential poets in Brazil, is revisited by his personal friend Silvio Tendler, based on his most acclaimed work: Poema Sujo. In addition to addressing other poems by Gullar, the documentary also includes the testimony of people who lived directly with the artist's work.

No plot available for this movie.