Márcia Breia

Northern Portugal. An imposing residence with its garden and magnolia tree. As we know, home is a place that film, this outdoor art, has often used to depict less the joys of family life than a pernicious space. André Gil Mata has made it his stage, with its rooms, its furniture, what plays out there and what has already played out there. From one room to another, from one era to another, the film delves deep into this enclosed space, a kind of suffocating box.

A family with a long history (and many members) gathers around a table in a mansion in southern Portugal. The region has transformed from a depressed area into a thriving tourist destination. Kisses, hugs, and greetings quickly turn into complaints and reproaches surrounding the big issue: What should be done with Daddy’s house? It is a tempting piece of cake, laden with rich family memories. But progress cannot be stopped.

One day, an old water pipe caused a ceiling leak. On this ceiling, toxic mushrooms of the order Polypo- rales would grow. Sitting on the toilet, the lady of this house looks up and observes that magical and mys- terious fungus, which is not an animal, nor a plant. The mushroom is the future, she thought.

Vera, a single mother with two small children, is forced to have two jobs to survive after her children's father has disappeared. She works as a cashier at a supermarket by day and at night works in a strip club, trying not only to raise her children but also to pay off the debts that her ex-partner left her. Harassed in both jobs, one day she reacts violently when a nightclub client is more daring, being sentenced in court to perform community service in a nursing home, where her irreverence and youth will clash with the authoritarianism and inhumanity of the director. For the elderly who live in the nursing home, Vera is a breath of fresh air that little by little will change their lives, becoming the true home fairy…

One night on Viva FM's late night show, host Vitor Lobo gets a phone call from an old friend.

No plot available for this movie.

No plot available for this movie.

Fernando Pessoa, one of the greatest writers in Portuguese, created an immense parallel world and several heteronyms so as to endure the loneliness of genius. José Saramago, 1998 Nobel Laureate in Literature, has a heteronym, Ricardo Reis, return to Portugal after a 16-year exile in Brazil. 1936 is a perilous year with Mussolini’s fascism, Hitler’s Nazism, Spain’s Civil War and Salazar’s New State in Portugal. And Fernando Pessoa meets his creation, Reis. Two women, Lídia and Marcenda, are Reis’ carnal and impossible passions. “Life and Death as one” allows for literature and cinema.

"O Quadro" is a short film written and directed by Lucas Manarte. The film tells the story of Eduarda and João, a couple in debt.

No plot available for this movie.