Monte Cazazza

Founders of Coil, a cult entity of experimental industrial British music, Peter Christopherson and John Balance also directed films from 1970 to 1980, exhumed and restored by Timeless. Shot on 8 and 16mm film, these unclassifiable subversive marvels, unsettling and trippy, garbed in gay masochist aesthetics, are as much family films, performances, body horror and urban nightmares. They're above all characterized by a tormented imagination under the sign of Eros and Thanatos with an irrepressible taste for death. There was an empty space next to Antony Balch, Derek Jarman and Jean Genet : it's no longer vacant. Maxime Lachaud and Reivaks Timeless deliver a unique document, haunted by the duo’s music, with this one way journey into limbo, where they’re joined by the recently deceased Monte Cazazza, a founding father of the concept of industrial music.

A narcissistic tennis pro, a talentless socialite and an animal rights activist discover the troubles of “fame”.

An experimental narrative about the Spanish inquisition and how it still permeates our current psychosexual cultural milieu.

True Gore combines the usual death footage found in most shockumentaries with video art from Survival Research Laboratories and Monte Cazazza and more

Documentation of three Survival Research Laboratories events, 1983-1984. Meet Stu, the SRL guinea pig, and see him training to operate the 4-legged Walking Machine, see 10-barrel shotguns, hear the "Stairway to Hell".

A selection of Survival Research Laboratories early performances, a must for those interested in how such an enterprise ever got started in the first place.

Vascular polyphony deep within the warm fleshy soundscape of Factrix in consumation with the master of ceremonial depravity Monte Cazazza featuring the voluptuous Tana Emmolo on solo violin and orgasmic trance dancer Kimberly Rae. Recorded live at Ed Mock Dance Studio, San Francisco, 6-6-81.

A 10 minute Super 8 collaboration with Tana Emmolo Smith, SXXX-80 (1980), a film which gleefully depicts what many would consider polymorphic sexual dysfunction as home movie, and was produced as a result of equal parts ennui and mischief on Cazazza's part.