Lucas Gregorowicz

For shapeshifter Carag and his friends Brandon, Holly, and Lou, a new school year begins at Clearwater High. But first, the Woodwalker Council must decide whether Carag's mentor and patron of the school, Andrew Milling, is guilty of attacking humans. Carag is in a dilemma: he wants to put a stop to Milling's actions, but Milling promises to take him to his true puma family if he covers for him before the council.

Humans who can shapeshift into animals struggle to integrate with others without giving away their special abilities. As a group, they strive to inform and institute change in the world perspective of deforestation and the importance of natural habitats. However, when that can’t happen, they are forced to take matters into their own hands.

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Frank, a man without a criminal record, attacks a money transporter and then turns himself in to the police. His behavior is a mystery. In prison he meets the unscrupulous and suspicious Arab Fuad, who is protected by his clan. To get closer to Fuad, Frank intervenes in the drug business within the walls and gets caught between the two rival groups of German and Arab inmates. It is only the prison guard Susanna with whom Frank will be able to build a relationship of trust, not knowing that she is part of Fuad’s business and has a sexual relationship with him. However, they come emotionally close. What only Frank knows is that his wife and his daughter died in a car accident. Fuad was the hit-and-run driver that remained unpunished. Frank seeks revenge.

When 22-year-old Rainer Werner Fassbinder storms the stage of a small, progressive theatre in Munich 1967, and seizes the production without further ado, nobody suspects this brazen young rebel to become one of the most important post-war German filmmakers. Despite early setbacks, many of his films breakout at the most renowned films festivals and polarise audience, critics and filmmakers alike. His radical views and self-exploitation, as well as his longing for love, have made him one of the most fascinating film directors of this time.

A kidnapping case starts a dangerous game of cat and mouse for Berlin detective Martin Brühl in the world of illegal car racing. 19-year-old Tim Jatzkowski doesn't come home. At first this is nothing to worry about. But then his father, luxury car dealer Heiner Jatzkowski, receives a ransom demand. Martin Brühl and his team encounter a shocked mother and a rather shirt-sleeved father who thinks the police should do their job and find Tim. The detective tries to convince Jatzkowski to pay the ransom. Among Jatzkowski's regular customers, whom he supplies with tuned luxury sports cars, there are plenty with contacts to the Berlin clans. He decides against paying the ransom.

Berlin piano maker Jan Epstein knows exactly what to do when it comes to restoring highly sensitive instruments. However, he is at least as unsuccessful as a small businessman as he is in his role as a family man. Jan secretly mourns his failed marriage to Serafina and he has a lot to make up to his daughter Mia. An unexpected opportunity arises when Mia unexpectedly wants to accompany him on the delivery of a piano to Italy.

Out of the dark - this is true for this film both on the story level and in terms of production. A hard-boiled thriller with a high-concept twist set in Berlin, Man from Beirut follows a blind hitman, Momo, as he tries to survive after his emotions have compromised the outcome of his latest „cleaning job“: He encounters a young girl in the wrong place at the wrong moment, but can’t pull the trigger this time - and finds himself on the run alongside fellow hitman Kadir. To make it out of the Berlin night alive, the killer has to turn against an army of former friends and new foes.

25 years of coma lie behind the hard-hitting policeman Mick Brisgau, as he awakens in a world unknown to him.

It's been five years Martin's family vanished without a trace from a cruise ship. Ever since, the police psychologist is tortured by the thought of his wife having committed a murder-suicide, taking their son with her. He is the only one not willing to believe this. Suddenly, a new lead takes him back aboard the very same luxury cruiser, where once again, a mother and her child have vanished. But this time, the girl reappears - holding a teddy bear that used to belong to Martin's son. Martin soon learns that things are handled differently on the open sea. Not to disturb his passengers' enjoyment of the lavish luxuries of their cruise, the rich owner of the cruiser wants to keep the child out of sight and hides her deep under deck in the quarantine bay. Here, Martin tries to get the traumatized girl to talk to him. But even deeper in the dark underbelly of the ship there is something lurking. And all signs point to a serial killer, just waiting to strike again.