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Highly destructive chili pepper comedy, 101 servings.

It is 80's Turkey, local musicians of Adiyaman are hired by the military and trained to welcome one of the forceful generals of coup regime.

Aziz, a former Yeşilçam director, was devastated when the woman he loved, Leyla, starred in a sex film, and he left Istanbul. Thirty years later, the stubborn man sells everything he owns and returns to Istanbul to film the script he has kept under his arm. Upon arriving in Istanbul, Aziz's first task is to find his "old friends." The elderly crew members are excited by the idea, but none of them are where Aziz left them, or as he left them. A lot has changed since then. Most of them have moved away from cinema and are doing other jobs. Aziz's determined attitude convinces the old crew that they can make the film. His friends know that Aziz wrote this script for Leyla at the time, and they suggest casting her in the role. Aziz vehemently refuses. His friends realize that the wounds are still fresh, and Aziz has not been able to let go of Leyla. It is clear that Aziz and Leyla are in for a difficult reckoning.

Nejat Uygur, one of the greatest masters of Turkish theater, and his friends are here to entertain us with a hilarious show.

Two soldiers return home from their military service in southeastern Turkey with disabilities.

Guner Sernikli is a government official who, with his wife and their wheelchair bound daughter, has been assigned as the head librarian to this isolated province, virtually an exile since there is no library in the village. The family is warmly welcome, but these are the years of political anarchy and leftist/rightist clashes in big cities and the youth of the village inevitably follow the tides. They arrive in Vizontele, just as the situation is becoming really absurd. Guner brings wisdom; his daughter Tuba brings beauty, innocence and love. Some like the Mayor, Nazmi Dogan and crazy Emin appreciate these things but they are in the minority and confusion continues to reign. The story is based on the memories of writer-director Yılmaz Erdoğan of the last summer of his childhood in Hakkâri, Turkey in 1980.

A comedy from Nejat Uygur Theater.

Boncuk tries to do everything but fails.

Nejat Uygur theater comedy.

It has been debated for years. Is there such a thing as fate? Can people erase their fate and write whatever they want instead? Our hero was so unlucky that even after spending months in bird paradise hoping his luck would change, not even a sparrow had defecated on his honey! You know how eating sugar sweetens your mouth, and eating chili makes your eyes water? Well, that's the kind of comedy my last hope is—the national lottery...
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