Jiřina Třebická

Set over a two-decade period in a tiny Central European village, this drama not only chronicles a couple's tragic star-crossed love, it also serves as a metaphor for the tragedy of lost traditions. After opening in the snowy wilds as two people spectacularly die, the story jumps back 20 years as young Verona prepares to marry. Unfortunately, voracious wolves descend upon the ceremony and all but Verona and her courageous 10-year-old brother-in-law Goran, who saves her, perish. That day, Verona gives birth to Veronika and promptly betroths her daughter to the heroic Goran. A decade passes and on Veronika's 10th birthday, her engagement to Goran is formally announced at a big party. Festivities halt when a troupe of female circus performers and their sly employer Madina show up. Veronika soon finds herself more interested in Madina's young son Michal than she is in the adult Goran. Meanwhile, the worldly Madina attempts to adjust to life in an old-fashioned village.

When Ethan Hunt, the leader of a crack espionage team whose perilous operation has gone awry with no explanation, discovers that a mole has penetrated the CIA, he's surprised to learn that he's the prime suspect. To clear his name, Hunt now must ferret out the real double agent and, in the process, even the score.

Oligophrenic Fany (Bohdalová) lives with her aunt who suddenly manages to travel abroad. Fany has to move to her sister (Jirásková). Two very different women, one mentally disabled and the second one intelligent doctor has to live together and learn from each other about tolerance, loneliness, life and why call dogs "Mister".

Anna has been married to Karel for fifteen years and has a teenage daughter with him. Karel is growing distant from Anna, whose daily life consists of taking care of the family. Anna's life balance is unfavorable for everyone involved. Who hasn't felt this way?

Jindrich Polák's modern fairy tale comedy tells the story of a girl who unexpectedly inherits a fairground amusement - a haunted house from Vienna's Prater fun park. With the help of a magic timepiece she is able to bring three of the ghosts to life.

The distinctive artist, typographer, and writer Josef Váchal is known to the public primarily for his Blood Novel. The surrealistic exuberance of this defense of 19th-century pulp fiction caught the attention of Jaroslav Brabec and his colleagues, who found a corresponding image of 20th-century "trash." The authors' interest focuses primarily on the silent film era, with a journey through the history of cinema continuing through the advent of sound film to the present day (auteur cinema of the 1960s, modern horror), formally employing techniques such as tinted film. The versatile parody intertwines a colorful plot with the story of the author (Váchal/Paseky), who comments on and creates his book, and is further split in the plot into the characters of Fragonard and the Master. As with Váchal, reality increasingly enters the fiction, so that the only "happy ending" turns out to be the artist's finished work.

In post-WWII Communist Czechoslovakia, several characters considered bourgeois are sentenced to work in a junkyard for rehabilitation. Among them is a young man who pines for a female convict.

The hero of the story is a forty-something intellectual, a sensitive composer of classical music. His exclusive profession, his work, which is actually incomprehensible to those around him, and his deep inner passion set him apart from the conformist milieu. Therefore, he tries to search for the "lark's silence" - a new strength, purity, truth, essence and roots of Czechism. However, on his return from the oppressive, alienated big city to his native village, to his former home, to nature, a deep disillusionment awaits him: he discovers that the once idyllic village has lost not only its face, but also any manifestation of spiritual life in its foolish attempt to resemble the city.

The film is a concert of well-known actors from an alcohol rehab where a middle-aged man has taken refuge to get rid of his addiction. In the rehab, cruelty is personified by the attendant who, with sadistic satisfaction, hands out demerit points for the slightest sign of displeasure or rebellion.

No plot available for this movie.