
Andrea Rost was born in Budapest. She graduated from the Liszt Ferenc Academy of Music as the pupil of Zsolt Bende. She was still a student with a scholarship from the Budapest Opera when she sang Juliette in Gounod’s Romeo et Juliette at the Budapest Opera House in 1989. She has performed in leading roles with the Vienna State Opera, La Scala, the Royal Opera House, Opéra National de Paris, the ...
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1213 Queen Gertrude of Meran's compatriots are playing the dorba in the royal castle. The unpeaceful Hungarian nobles are watching the dárido, and under the leadership of King Petur they are plotting. Their anger is only increased by the fact that while the king's viceroy, Bánk bán, who is fighting in the distance, is roaming the country, his wife, the beautiful Melinda, who has been left at court, is being besieged more and more openly by the queen's lecherous brother Otto. Petur secretly recalls Bánko, who, however, accuses the unpeaceful of treason. But Otto's confidant, the knight Biberach, tells Banach that the prince is trying to seduce Melinda. Otto, encouraged by the Queen, prepares to make a decisive attack. He pursues his lover Melinda in the castle's cloisters and chapel, and she rejects him contemptuously, but is nevertheless in a misunderstood position. Bánk, who has just seen them, is shocked: it seems that his adoring spouse is indeed unfaithful...

Claudio Abbado conducts the Berlin Philharmonic in this gala New Year's Eve performance, organized to commemorate the 100th anniversary of Giuseppe Verdi's death. Recorded in 2000, the program includes excerpts from the composer's "La Traviata," "Falstaff," "Rigoletto," "Don Carlos" and "Un Ballo in Maschera," with solos by Andrea Rost (soprano), Ramon Vargas (tenor), Alan Titus (baritone) and Lucio Gallo (bass-baritone).

Johann Strauss Gala - An Evening of Polka, Waltz, and Operetta

The annual New Year’s Eve Concert is one of the highlights in the calendar of every classical music fan in Berlin and beyond. On New Year‘s Eve, the Berliner Philharmoniker invite an exceptional soloist for a festive gala. Together, the musicians bid farewell to the old year and welcome the new. The 2000 concert was conducted by Claudio Abbado and featured Andrea Rost (soprano), Alan Titus (baritone), Ramón Vargas (tenor), and the Prague Radio Choir. On the programme: Giuseppe Verdi: Un ballo in maschera (Excerpts), Don Carlos (Excerpts), Rigoletto (Excerpts), La Traviata (Excerpts), Falstaff (Excerpts), Johann Strauss: Maskenfest – Quadrille.

Paris Opera, October 1996. New production Jérôme Savary

Rigoletto is an opera in three acts by Giuseppe Verdi. The Italian libretto was written by Francesco Maria Piave based on the play Le roi s'amuse by Victor Hugo. Despite serious initial problems with the Austrian censors who had control over northern Italian theatres at the time, the opera had a triumphant premiere at La Fenice in Venice on 11 March 1851. This 1994 recording, directed by Riccardo Muti, stars Roberto Alagna, Renato Bruson and Andrea Rost.

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Live performance from Cologne Opera. Conlon conducts a skittishly dynamic performance of Don Giovanni. He relies on Thomas Allen’s tough Don to give the work much of its dark menace and on Holle’s terrifying Commendatore to provide the moral outrage – his job is to keep things moving, and he does. The exteriors – blank city spaces reminiscent of the paintings of Giorgio De Chirico – and moodily claustrophobic interiors mirror effectively the anguish of the orphaned Anna and the abandoned Elvira; this is a performance in which the two women victims of the Don function effectively as correctives to his libertine charm. Andrea Rost as Zerlina brings real delicacy to her role, reminding us that “La ci darem la mano” is a duet about her flirtation with Don Giovanni and not just a famous stand-alone moment. This is an admirable presentation of a fine performance.
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