Michaela Schuster

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The Galilean Princess Salome is one of the mythical female figures in Western cultural history. Her erotic dance in front of her stepfather Herod is already mentioned in the gospels of the Bible, for whom she has the severed head of John the Baptist brought on a bowl in return.

Wagner's Ring of the Nibelungen is regarded as one of the most important milestones in the history of music. In the first part, the Rheingold, it begins with the chain of fateful entanglements that ultimately attracts the downfall of the race of the gods.

Since its premiere in 1893, Engelbert Humperdinck's fairytale opera »Hansel and Gretel« has awakened a passion for music theatre in generations of children. Even his great contemporaries – such as Richard Strauss, Gustav Mahler or Johannes Brahms – were delighted by this work. It is the successful combination of seemingly folkloric simplicity and the complex musical language of Wagner’s direct successor, of simple melody and artful orchestration, and of socio-critical realism and atmospheric magic that makes the music to the Brothers Grimm’s famous story so captivating. And so the Vienna State Opera's production speaks to both children and adults alike, leading through wondrous projections of a magic lantern into the middle of the fairytale storyline.

Christian Thielemann conducts the Staatskapelle Dresden in this performance of Wagner's opera recorded live in 2013. The performance was held for the Salzburg Easter Festival and featured vocalists including Johan Botha, Michaela Schuster, Stephen Milling and Wolfgang Koch.

This performance of the Richard Strauss opera Frau ohne Schatten, recorded live and in high definition, features vocalists like Stephen Gould, Anne Schwanewilms, Michaela Schuster, and Wolfgang Koch in the leading roles.

Wagner's Lohengrin is the mythical tale of the mysterious Knight of the Grail, who appears to defend the princess Elsa - wrongly accused of the murder of her brother. Highlights of Wagner's most lyrical score include the famous Wedding March, which accompanies the marriage of Lohengrin and Elsa. Superstar tenor Jonas Kaufmann ("currently the hottest tenor in opera" - The New York Times) makes his role debut in this performance from 2009 and filmed in Munich. He is joined by German soprano Anja Harteros - a former winner of the prestigious Cardiff Singer Of The World competition.

David McVicar’s powerful Royal Opera House 2008 production of Strauss's opera – based on a play by Oscar Wilde – takes the controversial and disturbing film 120 Days of Sodom as its visual reference. The action is set in a debauched palace, which has suggestions of Nazi Germany. Strauss’s ravishing and voluptuous score adds to the sexual alchemy that is conjured by an international cast led by Nadja Michael in the title role.

Eve of the trilogy "Der Ring des Nibelungen" by Richard Wagner, in the production by Joachim Schlömer (Stuttgart State Opera 1999, recorded live at the end of 2002).

In the spring of 2024, the Berliner Philharmoniker, under the direction of their chief conductor Kirill Petrenko, presented a staged production of Richard Strauss’s thrilling and dark opera Elektra – the highlight of the Baden-Baden Easter Festival. The title role was sung by the acclaimed soprano Nina Stemme. Philipp Stölzl, who has caused a sensation with his spectacular productions on the lake stage at the Bregenz Festival, was the director and set designer.