Gene Raymond

Looks at the stereotype-breaking films of the period from 1929, when movies entered the sound era, until 1934 when the Hays Code virtually neutered film content. No longer portrayed as virgins or vamps, the liberated female of the pre-code films had dimensions. Good girls had lovers and babies and held down jobs, while the bad girls were cast in a sympathetic light. And they did it all without apology.

A look at the screen triumphs and private lives of the screen's number-one singing team.

A lone gunman hunts the fearsome Apache Satago across the plains of the Wild West. When Satago's marauders ambush a stagecoach, the gunman rides to the rescue of the trapped passengers and helps them in their last stand against the deadly Indians.

The other party is in disarray. Five men vie for the party nomination for president. No one has a majority as the first ballot closes and the front-runners begin to decide how badly they want the job.

A gunman whose best friend has been murdered enacts a plan to blackmail the corrupt labor union leader responsible but finds he isn't the only one after his money.

An updated remake of It Started With Eve (1941). A young heiress is summoned to the bedside of her dying grandfather. The man's last wish is to meet her fiance, but problems arise when the fiance is delayed and a young chemical engineer is persuaded to take his place. When the grandfather suddenly (and secretly) recovers, he uses the situation to his advantage - playing matchmaker in an attempt to ensure his granddaughter's happiness.

Pilot episode, directed by Dick Powell.

A spectacular heist starts to unravel as the crooks take it on the lam.

Lord Fancourt Babberley is forced to disguise himself as a woman - his aunt from Brazil, "where the nuts come from".

Sailors on leave in San Francisco get mixed up in love and show business.