
Vítězslav Jirsák was a Czech film and television actor.
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The story, written by former George Stransky former political prisoners and today's chairman Pen Club is situated to 50 years and uranium camp of political prisoners in Pribram, where after the fall of the Stalinist cult comes at the end of 1958 as a prisoner of the former Chief of Main Administration of correctional facilities Colonel Good. Former chief topic of coexistence, "a guard" and political prisoners in the Bolshevik camp served timeless makers to reflect on the possibility (or impossibility) of forgiveness and a sense of justice. The film, unfortunately, below expectations - mainly because of its rarity and lack syžetovou arching dramatic arc of the story, including natural gradation. Nice camera and vice versa are cast, formed literally myriad of top Czech actors. A representative of one of the main roles - Jiri Schmitzer in 1997 was awarded the Czech Lion.

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Charming, witty and smart men represent a fictitious insurance company who soon fall for an innocent-looking young woman smarter than she seems.

Set in the late 80s in a quiet, rural village headed by a suspicious, conspiring group of nasty leaders. Ewald has arrived there to measure water levels. Surrounding the fortress near the village are soldiers.

Shortly after the Velvet Revolution, everyone becomes an entrepreneur. The fields of business vary. Whether they are legal forms or, on the contrary, organized crime. Young student Nancy arrives in Prague for an internship. She has Czech roots, which is why she chose Prague. Together with journalist Egon and former police officer, now private detective Poldou, they search for a kidnapped 16-year-old girl. Her father is desperate, and even the police are unable to help him. Their search leads them to a Roma gang of prostitution and pornography traffickers who will stop at nothing.

Against the petty, which places its own glory above honest work and honest human relationships. Čapek's Foltýn is from the family of eternally recurring dramatic themes about the conflict between talent and untalent, soundness and dilettancy, vocation and parasitism, of all kinds.

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The heroes of this wacky spectacle are the large Karafiát family, who, in the emerging market conditions, decide to abandon their current way of making a living (stealing funeral wreaths and transforming them into artfully tied bouquets) and start a business. This is how the peculiar travel agency Český ráj, built on the ingenious idea of not taking poor Czech tourists abroad, but on the contrary, rich foreigners to Bohemia, sees the light of day. Thanks to a quirky advertising campaign, a motley mix of French people actually manage to board a bus in Paris and set off. But the Karafiats' entrepreneurial worries are just beginning.

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