Kostas Smoriginas

Miglė, who married when she was very young, has for 26 years been divorced from her ex-husband who one day calls her and asks for a favour. He has found that it would be a good time to get married again after the death of his mother. But there is a small problem: their divorce is valid only in the eyes of the law, because a Catholic marriage cannot be divorced. It can, however, be annulled. All that needs to be done is to complete an application and give the “Catholic court” a good reason. But she does not know in what kind of absurd situations she is about to find herself in.

With gentle irony, “Cinephilia” unmasks the illusion of film. Characters migrate through the worlds of reality and fantasy, in circumstances that paradoxically have no questions or answers. The two moons of Lars von Trier shine in the night sky, entrancing the main heroes, Roland and Isabel. Roland rents himself a room where he winds up in situations reminiscent of the plots found in Franz Kafka’s “The Trial” or Roman Polański’s “The Tenant”. A guy visits Roland, claiming that they known each other, and offers him a lot of money to film his suicide. There begins a kaleidoscopic sequence of events and random acquaintances. They make the characters wander through the worlds of reality and fantasy, sometimes both at the same time. A dark comedy that tells nine related stories in which the fates of the characters intertwine.

No plot available for this movie.

Nowadays Lithuania, the country with strong traditions of Catholicism and society's negative attitude to minorities (homophobia). The tragicomedy is built through the destiny of a young woman Anna, whose secret lights out during the Christmas Eve and it immediatelly erupts an avalanche of dark events, connecting each family member. The question - what would happen, if... - remains. They had a choice to avoid this fatal trip, BUT it doesn't mean nothing has happened.

The sailor Audrius comes ashore for the last time in his life. The story unfolds through Audrius’ journey and his many encounters over the weekend as autumn turns to winter. He is driven by a severe lack of time. Inadequate actions and reactions make sense when we find out his secret: he’s dying of Leukemia. During his grandmother’s birthday in her countryside village, surrounded by his family and after reassuring his son, he makes a final attempt to find resolve and peace. Farewell is a moving universal tale, uplifting and heart warming, verbally laconic and visually rich. It is a clear-cut story of the human spirit, which is both relentless and immortal.

Renée Fleming has matured into one of the finest sopranos around at the moment, a true star with a sparkling personality and a velvet-toned voice that is capable of wringing the finest emotions out of works by Strauss and Tchaikovsky that from a lesser singer could sound rather cold and clinical. I wouldn't have thought her voice would be so well suited to Violetta Valéry in La Traviata, and it does take some getting used to, but I think she at least brings a distinct quality to the role with an emotional heart that isn't always necessarily there when a leading diva uses it primarily as a display for her vocal talents. It's served well also by Antonio Pappano's conducting of the Royal Opera House Orchestra in a traditional, but effective production by Richard Eyre.

A mentally ill young woman Valda convinces herself that a boy growing up in an orphanage is her child. Following the footsteps of a thousands Lithuanians, she immigrates to Ireland to earn money to save him. "Loss" portrays the beauty and tragedy of the human heart.

A nearly-suicidal, young woman visits a psychotherapist. She is in love with a priest, and the diagnosis of her husband's mental illness leaves no hope. The psychotherapist, in her attempts to resolve the amassed difficulties, seemingly begins to duplicate the life stages and behavioral patterns of her patient. A script for this film is based on motifs from the best-seller, scandalous novel, Witch and Rain, by female author, Jurga Ivanauskaite. By choosing a priest as the main role for a love story, the author broke an existing societal taboo. Faith, Love and Hope form the trilogy by the authors of this screenplay. Love stands as the grandest of the three.

No plot available for this movie.

At the end of the 19th century, proud but poor fisherman Jurgaitis gets imprisoned for a crime he did not commit. His beautiful daughter Elze is sent to live with rich German merchant Michael. There she falls for his son Endrik.