Amine Ennaji

Mehdi leads an exemplary life with his family and Selma, his new girlfriend in Marrakech. For the young couple, things are going smoothly until Mehdi meets Marie, a young French woman caught up in the social life of the expatriate community.

Aziz Ben Achour's relationship with his French wife ended when she decided to leave Morocco with their son Karim. This change in Aziz's life would not be temporary; his son's absence left a huge void, impacting him and his work in art and film directing. Over time, Aziz met Maryam, who worked in a café and cared for a child with special needs. With her, he embarked on a new experience that would change his outlook on life.

Younes, known as Taxi, finds himself trapped and powerless in his own home in Morocco. His wife, Samira, has seized total control over his life and that of their children. Tensions run high between Taxi and Samira’s family, especially with her ruthless nephew, Ashraf, who has sworn to kill Taxi from their very first encounter. Ashraf sees Taxi as a significant threat due to his (yet unsigned) statements to the Dutch police. Samira agrees to eliminate Younes, the father of her children.

Zodi, a 12 years old nomad, find an orphan baby dromedary in the desert. He takes in the animal, feeds it, calls it Téhu and becomes its best friend.

The residents of a small Moroccan city endure separate lives while knowing the same cycles of burden and small joys. Wives and husbands, mothers and fathers, sons and daughters maneuver their way through mourning as death takes loved ones and life insists on moving forward. Here, letting go is a challenge for both the dead and the living. The people of this city share the same world, but don't always know when they live in each other's lives, helping and harming each other. Connected by friendship, proximity, and blood, they both destroy and support each other. Through weddings, funerals, murders, forgiveness, love, new birth, and sacrifice, the living build community and hope. Meanwhile, the souls of the dead linger to watch over loved ones.

Hayat is released after serving a long prison sentence. She returns to her hometown in northern Morocco, where she finds herself faced with a brother who refuses to welcome her for fear of shame. Hayat merely wishes to see her son so she can explain the truth to him. She meets Amal, who works in a fruit factory and takes care of Houda, her sister who is two years her junior and suffers from a severe disability. The courage and strength of these three women drives them forward in the face of exclusion, exploitation and marginalization.

The Town of Owls is an isolated residential community situated in the High Atlas Mountains. It is inhabited by families and guards of a secret political prison camp, which remained out of history for a long time until the early 1990s. Guards spend their long days back and forth between the secret prison and the village, through a suspension bridge built upon a deep valley that connects the village with the fortress prison.

Morocco, from the past to the present. Five people who are connected to each other – Abdallah, Salima, Joe, Hakim, and Inès – without realizing it. Different faces, different struggles, but one same breath. One city, Casablanca as a fragment of reality, as the myth of a film entirely shot in Hollywood studios, which reality has come back to claim.

A both empathic and poetic drama set in the Moroccan countryside. Family, poverty, work and pride are the most important motivations of M’Barek, a poor farmer who fights to pay off his debts so that he can keep his land.

The movie tells the story of a poor teenager, mired in suffering and oppression, who would make up his mind to take revenge from an oppressing society wherein immorality and intolerance prevail.