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The story takes place in a retirement home and creates a mosaic of the lives of old people who are trying to find a relationship with themselves and with life in these specific conditions. Each of its residents has a distinctive approach to life and its basic values. The most interesting features of the title, which is marked by a visibly cold production approach, are the worthy performances of the actors of the older generation. Some of them appeared in front of the camera after many years and unfortunately for the last time.

In the Prague Old Town and the adjoining streets there is always plenty of life. Housewives shop, beggars arouse sympathy, the Salvation Army tries to put the godless on the road to salvation by hymns and sermons, and Ferdys Pistora hunts in the pockets of his fellow men and isn't even put off by the presence of an officer of the law. Ferdys sets off to burgle villa of the banker Rosenstok, but a fire breaks out in the house and Ferdys ends up saving the banker's two small children. For this he is celebrated as a hero and gets a place as an errand boy with the Rosenstoks. At home he is visited by representatives of the Salvation Army, Captain Kosterka and Terezka, with whom Ferdys instantly falls in love.

A military base. An awkward soldier. A statue of Bach. And suddenly all guns in the area change into music instruments. Great mystery is immediately found by TV station. And soon the military base becomes a stage for huge TV show.

JZD Hořičky is one of the best cooperatives in the district. Its chairman, who knows how to get advice and money wherever he can, is supported by the district secretary - even at the expense of others. The cooperatives will reject high state honours as undeserved... An unconvincing attempt at a critical film from the present day.

In the Hussite times, religious truth was sifted even on the tips of weapons. When in 1430 the Hussites set out on a raid to Nuremberg, the so-called Spanila Cavalry, to defend their doctrine, the young commander of the cavalry, the landowner Keřský, whose bride had once been kidnapped by a vicious crusader, saw it as an opportunity for personal revenge. Although Oldřich Daněk has tried to establish a distinctive interpretation of historical events, he reflects on where the blinded desire to punish a bad deed with further cruelty leads, but his version seems too thesis-like and lifeless, it does not rise above the descriptively illustrated scenes from old Czech chronicles...
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