Evelyn Künneke

After Norman fails to convince his father, a wealthy industrialist, with his brilliant business idea in the form of a chain of doughnut shops, the hopeful young entrepreneur is given an old tenement house to help him get started. He infiltrates the building incognito and finds a job as the unpopular houseboy. Norman realizes that all is not well with the quirky residents when he finds a dead Santa Claus from last year in the fireplace.

Widow Käthe Mühlmann is a little eccentric. Every day she confides her worries to the photo of her husband Hubert, who has been dead for ten years but is still closer to her than her two friends Arabella and Brigitte. Käthe does indeed have reason to worry: her much-loved granddaughter Christine has lost her heart to the dubious Stefan Seyler, who is cheating on her through and through. What's more, Seyler has turned Christine's traditional café into a shady nightclub.

The actor Holger Miesbach can no longer pursue this or any other profession, for psychological reasons and despite ongoing psychiatric treatment. While his mother offers telephone sex, where she pretends to be a minor and always forgets to get paid, he devotes himself to painting, but above all to his childhood passion for collecting autographs. When the actress Gloria Mundi, who had celebrated success as a teenager with revealing scenes, but who had killed her mother and her lover in Hollywood in 1961, returns to Berlin, Holger's penchant for the washed-up star becomes obsessive.

The actor Holger Miesbach can no longer pursue this or any other profession, for psychological reasons and despite ongoing psychiatric treatment. While his mother offers telephone sex, where she pretends to be a minor and always forgets to get paid, he devotes himself to painting, but above all to his childhood passion for collecting autographs. When the actress Gloria Mundi, who had celebrated success as a teenager with revealing scenes, but who had killed her mother and her lover in Hollywood in 1961, returns to Berlin, Holger's penchant for the washed-up star becomes obsessive.

In New York City, detective Luigi Mackeroni investigates a string of mysterious penile mutilations at the Hotel Quickie. After Mackeroni attempts to have a tryst with a gigolo he meets in the lobby, a carniverous condom bites off his right testicle and flees, which sets the detective off on a quest to stop the predatory prophylactic once and for all.

A collage of documentary material, film excerpts and artist interviews shows the role that entertainment played during the Nazi era.

Two shady businessmen set out to shake up the West Berlin funeral industry - with unconventional ideas and questionable methods. To this end, they take over the business of a long-established mortician who wants to retire. One of them also hooks up with the colorless daughter of the chairman of the local mortician's association in order to get money and his father's customer list from her. Meanwhile, his partner has to deal with his wife and their equally nagging children. And then the establishment strikes back. At the same time, the unmarried newcomer to the industry discovers that he does have real feelings for the association chairman's daughter.

No plot available for this movie.

When a plague breaks out in Hamburg, several people break out of quarantine and make their way out of the city... only to find that the plague is more widespread.

In this hilarious opera parody, Loriot delivers a comedic take on the pretentiousness of the operatic world. The plot revolves around a fictional opera production that spirals into absurdity as egos clash, misunderstandings abound, and everything goes hilariously wrong. Through a series of farcical and exaggerated situations, Loriot brilliantly mocks the pomp and circumstance of opera while showcasing his signature dry humor and love for absurdity. Noch 'ne Oper is a sharp and witty satire of high culture’s often ridiculous nature.