
Kayhan Yıldızoğlu (28 May 1933 - 9 March 2024) was a Turkish film and TV series actor. His father was an agricultural engineer of Circassian origin and his mother was a teacher from Crete. In 1955, he did his military service as a reserve officer. Upon his return, he became a foreign exchange commissioner at the Istanbul exchange office. While working there, she was invited to an acting audition ...
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Three children live a poor but happy life with their families in the Dalyan Delta, a UNESCO World Heritage Site. Their lives take a completely different turn when the youngest, Yiğit, is presented with an opportunity to change his family's destiny. Yiğit is invited to participate in a game that has been played for years, where his bravery will be tested by Light and Darkness. Yiğit agrees to play the game, unaware that it will lead him to the princess he has seen in his dreams.

Turkey in the 1960s and 1970s was one of the biggest producers of film in the world. In order to keep up with the demand, screenwriters and directors were copying scripts and remaking movies from all over the world. This documentary visits the fastest working directors, the most practical cameramen and the most hardheaded actors to have a closer look into the country's tumultuous history of movie making.

Osman, who dreams of becoming a columnist for a local newspaper, embarks on various adventures when his cousin Fiko and his friend Dursun show up unannounced. The film, which sets out with the theme "Love Knows No Boundaries!", tells the story of Osman, who stutters, in a style that is sometimes sad and sometimes funny. The film focuses on Osman, who has dedicated his life to becoming a columnist for a newspaper, and how his life changes after he leaves home to work at the newspaper, accompanied by his cousin Fiko and his friend Dursun.

Sedat and Fikret, childhood friends, are devoted to the Kadırga Sports Club. The Kadırga Sports Club, a poor club, wants to transfer a footballer named Hakan as a savior. Tevfik Amca, a former member of the club, donates his car for the transfer, but time is needed to sell the car, and the transfer date is approaching, so the sale cannot be delayed. In this situation, Sedat asks for the money from Reşat, the brother of his ex-girlfriend Nazlı. Sedat receives the money in exchange for a promissory note, but during this time, an unexpected situation arises, and he is forced to confront many people.

No plot available for this movie.

Fahri Fırfır, a hotel owner blinded by greed, and his manager Şehnaz Şıkır want to expand their hotels by destroying the forests. A family defying them finds an unexpected ally: the mole team consisting of Boyo, Süslü, Kösteban, Köstepem, and Köstosun will do everything in their power to protect their forest.

The dilemma of a married man in Trapezes between ethical values and his love to Olga, who is the daughter of an immigrant from Trapezes to Russia in the early 1900's.

After returning back to family, Leyla tries to fix everytihng while starting a new life wit Iskender. Everything goes smoothly until troubles find Leyla...

Demet and Özgür are married couple spending night full of nightmares. They are afraid to even mention each other of their ghosts who come to visit them every night. Finally, they decide to change their homes. Their daughter, Nisan, and their servants, also move to the Nightmares House, temporarily. However, the visits continue here. There is nothing left to do. It's time to face themselves, their fears and their ghosts. The real surprise is about their assistant Saniye Hanım.

Aziz, a former Yeşilçam director, was devastated when the woman he loved, Leyla, starred in a sex film, and he left Istanbul. Thirty years later, the stubborn man sells everything he owns and returns to Istanbul to film the script he has kept under his arm. Upon arriving in Istanbul, Aziz's first task is to find his "old friends." The elderly crew members are excited by the idea, but none of them are where Aziz left them, or as he left them. A lot has changed since then. Most of them have moved away from cinema and are doing other jobs. Aziz's determined attitude convinces the old crew that they can make the film. His friends know that Aziz wrote this script for Leyla at the time, and they suggest casting her in the role. Aziz vehemently refuses. His friends realize that the wounds are still fresh, and Aziz has not been able to let go of Leyla. It is clear that Aziz and Leyla are in for a difficult reckoning.
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