Qaushiq Mukherjee

On 13th February 2012, a magnetic bomb exploded, destroying an Israeli embassy vehicle in Delhi. ACP Rajeev Kumar, leading the investigation, suspects more than what meets the eye. Amid political pressure and suspicions of an Iranian connection, he embarks on a perilous journey to uncover the truth, facing formidable adversaries.

A tribute to the life and accomplishments of the legendary Bengali actor Soumitra Chatterjee, who was a pioneer in Indian cinema with a career spanning seven decades.

A documentary on the infamous Bengali magic realist, Nabarun is an exclamation mark in Bengali literature, the emphatic interjector. The film tries to get into the noisy, grimy, scratchy insides of Nabarun's mind as his characters shamelessly hustle, behave atrociously and try to exist in a violent hostile world.

An experimental romantic thriller, Solo is the story of four different men, their love, rage and afterlife. Through four elements - water, air, fire and earth, they also represent different facets of Lord Siva.

Ghya-chang-fou literally means 'suddenly beheading' in Bengali. it features thirteen unnamed people gathering in a mansion filled with archaic objects to celebrate what appears to be a communist revolution. Nothing seems real, roads open up to improbable places, places lead to impossible elevators, elevators lift people to unconvincing roads. Bacchanalian spirit steadily overtakes the initial deadpan seriousness. The encore of celebration sounds delusionary as the drunken conversation about communism, about its methods and means, about it intricate turns through history degenerates to bourgeois nonsense and decadence leading to absurd rifts, comic conflicts, unleashed orgies and debauchery.

In the glitz and the glamour of a Bollywood dominated industry that India has today, we narrate the story of a parallel film-making community whose aim is not to create cliched blockbusters, but to tell a meaningful and thought provoking story through the medium of cinema.

After Nihilistic rapper Gandu steals from his mother's lover, he embarks on a drug-fueled rampage with a rickshaw puller.

X, the housemaid, doesn't talk to Y, the owner.