Aleksandr Yatsko

A new adaptation of the classic soviet film Priklyucheniya zheltogo chemodanchika (1970)

Evgeniy Onegin lives in grand style: balls, receptions, theater premieres and other frivolities the capital can offer a young man. But social life has long tired him, so he perceives the news of the illness of his uncle living in the village as an opportunity to escape. However, having reached the estate, Onegin learns about the death of a relative, which, however, does not upset Evgeniy too much. His financial affairs are very sad, and his uncle is rich and has no other heirs. Onegin locks himself in the estate, living in aimless solitude until the owner, who has returned from abroad, appears at the neighboring estate – a young, enthusiastic Vladimir Lenskiy, not yet satiated with life, who introduces Evgeniy to sisters Tatyana and Olga Larin.

Vano has been living in Moscow since childhood and has completely forgotten about his roots. One day, luck turns its back on him: the bank demands repayment of the loan, the debt collectors are running around on his heels, and the apartment turns out to be secured. That's when it's time to remember about family traditions, because Vano is a descendant of the famous dynasty of Georgian winemakers. However, there are only grapes in the arsenal, a rented apartment and a bathtub in it, and the main secret of winemaking is completely forgotten.

Crises happen in any relationship. The most romantic day of the year has prepared serious challenges for the heroes. Will they find the strength to cope? Or will they be scared and disperse? The film is about the fact that true love is able to conquer everything, even if Cupid's arrow accidentally hit the wrong place.

The legitimate heir to the throne in exile and the son of a murdered rebel — what do they have in common? Everyone has their own goal: one dreams of taking the throne and restoring his family to its former glory, the other - to take revenge on the murderer of his father, who serves the usurpers. Young men enter into a large-scale struggle for power and honor, in which those who seemed to be friends can betray, and former enemies can turn into allies. In order to achieve the goal, both the prince and the rebel's son will have to risk the most valuable and make the main choice in their lives — to go the preordained way or to oppose fate itself.

Katya is a landscape designer. On December 31, she delivers New Year's trees to customers. The last tree from the unfulfilled order could have become Katya's only guest for the New Year, but her mother is determined to introduce her daughter to a young man. To avoid this fate, the girl agrees to meet her uncle, her neighbor from Chicago. From this moment on, the longest day of the outgoing year begins for her: she will pick up the wrong uncle from the airport, meet a man, hide from bandits pursuing her... and on New Year's Eve she will again find herself at her tree, but will she be alone?

The 60-s of the past century. A school cleaning lady, who dreams of being a ballet dancer, miraculously learns to perform the most complicated jumps. The one who helped her was a strange teacher who taught music and dancing at that very school. The outcome of their relationship was more than unexpected.

Lena has the happiest day today - she is getting married! But the mood in the limousine, in which the newlyweds rush to a banquet, is disturbed by an accident - a limo knocks a person down.

A few days from the life of the neurosurgeon working in the big hospital.

Olga, Katya, and Andrey have known each other since childhood. They moved to Moscow many years ago and have become successful. Olga is an actress, Katya works for a large-scale PR agency, and Andrey is a political analyst. They buy cars, take mortgages, build country houses. Just like everybody else. But their lives bring them neither happiness nor content. The feeling of "something's not right but I can't put my finger on it" underpins the lives of today's thirty-year-olds. Their childhood took place during the Soviet era, when kids dreamed of becoming heroes, believed in spy stories and a bright future. Yet nobody expected that the dream of becoming a hero would be replaced by the dream of stable and predictable existence. People have stopped dreaming of truly grand things. They just play their roles.