Till Kretzschmar

Two gangsters named Lukas and Marc planned to have a nice evening in an brothel. When both of them selected their girls for the night, a bunch of demons starts to attack the brothel. The few ones who survived this attack are confronted with the daugther of the devil herself. She needs the blood of 666 victims to resurrect her father. Lukas and Marc must stop her!

Likeable but lonely Finn is on his way to lunch. The outside world is already lurking menacingly, because his imagination is teeming with supposed scammers, sluts and criminals! What was supposed to be just an everyday walk turns out to be an odyssey. A confusing fight against the world and against oneself begins. And in the end, the loser wins...

The incredible true story of Lufthansa Flight 181, which was hijacked by the Popular Front for the Liberation of Palestine in October of 1977, and the noble efforts of stewardess Gabriele Dillmann (Nadja Uhl) to ensure the safety of the terrified passengers throughout the harrowing ordeal. When terrorists sympathetic to the cause of the German Red Army Faction seize control of the flight, German chancellor Helmut Schmidt refuses to negotiate. Meanwhile, terrorist leader "Captain Martyr Mahmud" grows increasingly agitated, and the Yemeni government refuses to let the plane land on their soil. After Captain Schumann (Thomas Kretschmann) makes an emergency landing in the sand, he is brutally executed in front of the passengers by "Captain Martyr Mahmud" (Said Taghmaoui), who then forces the co-pilot to fly the plane to Somolia. Once there, counter terrorism measures quickly get underway as the passengers brace themselves for the worst.

An eyeless corpse is found - a particularly gruesome discovery for BKA psychologist Ingrid Berger. This is because the body of photographer Ben, Ingrid's former boyfriend, is lying on the dissection table. Shortly afterwards, the investigator and her colleague Paul discover a dead Asian woman in Ben's car. Her sister Tsumi puts them on the right track: the girl has Ben's notebook. The CD-ROM in the envelope leads to a ring of traffickers and to the industrialist Karl von Rhaustein

After separating from her husband Werner, who now has a new wife, Paula lives alone with her young son Philipp. After the little boy runs away from home, the ex and his new wife try everything to take advantage of the situation. It doesn't all seem to be right either, because shortly afterwards there is a fire in Paula and Philipp's apartment - and it looks as if someone set the fire on purpose.

In a fictitious show, candidates attack each other with knives and fight, and in the end the presenter (Burkard Driest) is stabbed to death. Like Das Millionenspiel 25 years earlier, the Private Life Show criticized the increasingly drastic broadcasting formats on commercial television.

Gottfried and Markus are friends who have done everything together so far: School, vocational training with A-levels, time in the army. Markus' girlfriend Karin is also adored by Gottfried. Now they are about to leave for Dresden to study physics. At the last moment, Gottfried changes his mind. He stays and wants to become a home educator after picking up a runaway boy and bringing him back. Markus terminates his friendship, his parents and colleagues are stunned. But Gottfried enthusiastically puts his intention into practice. Karin turns more and more to him, and when he loses some children on an outing, Markus helps.

Ralph grows up in pre-war Dresden as the eldest son of a principled and orderly streetcar conductor. With the rise to power of the Nazis, the war, the collapse and the hesitant new beginning, his firmly established middle-class world is also thrown off course. His father is one of the first to be called up to the front. His mother is left alone with the responsibility for Ralph and his younger brother Achim. In the air-raid shelter, during the nights of bombing and later in the daily struggle against misery and hunger, the mother quickly abandons all moral baggage and develops a pragmatic will to survive, for which she admires Ralph. At the same time, the boy is frightened by his mother's desperate claim to happiness because he perceives her affairs as a betrayal of his father, who has gradually faded into a symbol of a happy, carefree childhood.