Sudipta Chakraborty

Barobabu is inspired by the life and work of Shishirkumar Bhaduri, the towering figure of Bengali theatre. Rather than a chronological biopic, the film delves into his emotional world — a complex weave of love, art, and personal turmoil. It explores his deep connections with two actresses, Prabha Debi and Kankabati, both significant in his professional and personal life.

Ahana is a powerful story of a young author who challenges patriarchal norms and breaks free from societal expectations. As the film boldly addresses male infertility, Ahana's journey becomes one of self-discovery, courage, and reclaiming her identity.

Porshi captures the lives of everyday Kolkatans, each navigating their own struggles in a bustling, grey city. Though strangers, they are unknowingly connected — neighbours in spirit and circumstance. Like a palette of distinct, independent colours, none of them realize they could form a rainbow if they came together.

Aapish follows two working women from different backgrounds, facing the same struggle, balancing home and work while being expected to sacrifice when problems arise. The story highlights how this cycle can be questioned and broken when support and understanding come into play.

Baghu Manna, a young alcoholic from a rural village, is married to a teenager, Moina. Neglecting responsibilities and relationships, Baghu drives everyone away, including his wife, but when Baghu tries to bring her back, humiliation forces him to confront his life.

The film chronicles the tale of a deceased woman and a little boy who meets the restless soul of the departed woman. The woman seeks help from the little boy to unravel the mystery behind her death.

Jatindranath Mukherjee is an Indian independence activist. He is the principal leader of the Jugantar party that is the central association of revolutionary independence activists in Bengal.

A Macbeth adaptation, revolving around the prominent theme of greed, ambition, sin and corruption.

Birju and Shona live in the slums with their daughter Muni. Together they navigate Kolkata’s affluent neighborhoods each very morning, collecting trash on a handcart. They sift through salvageable items from among the discarded materials and bring them home. These items become the medium for stories they share with their daughter each night.

Moksh - Around an apparent mercy plea, the relationship between two death penalty convicts enters a tensile phase raising questions about human morality and survival instinct. Astitva - A middle-class couple inch towards winning a lottery ticket bought casually. Greed, desire, and fear creep in changing the dynamics of their relationship to a rather uncertain destiny. Siddhi - Waiting at the cremation, an alleged ghostly encounter pushes Bhola to a deep sense of guilt, where he starts questioning his senses and choices around his father’s death. Dhee - The dilemma of a doctor between her personal and professional ethics while she struggles to choose between saving the life of her childhood rapist or avenging him.