Johanna Murillo

Maria Valenzuela is lead conductor of the Guadalajara Philharmonic. She aspires to be recognized internationally. Challenged by the presence of a young and new conductor who just arrived.

Lucía lives with an incurable disease, and Bruno was deported to Mexico with no place to sleep. An unexpected phone call brings them together in an emotional story of overcoming, reconstruction and hope.

In 2012, Charly leaves Nicolás minutes before getting married and moves to another country. Heartbroken, he writes to her a letter where predicts an unhappy life of complete solitude. Ten years later, fate brings them together again at the wedding of Rocío, her best friend, and Diego, her brother, where they will face that their love story is not over yet.

No plot available for this movie.

Sofía, a well-to-do socialite and her husband must wrestle with the impact of Mexico's 1982 economic crisis.

Julio, a young man with few social skills, meets Mara, a girl with whom he shares a weakness for robbing other people's houses.

On a mission to sell his last remaining prize hog and reunite with old friends, an aging farmer abandons his foreclosed farm and journeys to Mexico. After smuggling in the hog, his estranged daughter shows up, forcing them to face their past and embark on an adventurous road trip together.

Ramona is fat woman with too much weight and barely any luck. She recalls a childhood filled with moral abuse by her mother, sister and friends, calling her silly offensive names referencing her overweight. When she became an adult, things didn’t really get any better. She’s fired for being fat, she wants a liposuction but the doctor informs her she’s not a candidate due to her overweight, and all her universe seems to be collapsing after a series of unfortunate events. But everything will soon get better thanks to some magical beetles she finds in a Tarot café.

After their fathers death, two brothers dispute the inheritance: the local movie theater known as Linterna Mújica. Their dispute may or not bring the town to its apocalypse, but it will for sure turn it upside-down.

The fictional Father Ángel de la Cruz is based on Legion of Christ founder Marcial Maciel, whose long history of child abuse was not addressed until 2006 and only publicly acknowledged in 2009. But director Luis Urquiza chooses to structure his film through the largely uncomprehending, wondering eyes of 13-year-old Julián, who travels from the arms of his loving pastoral family into the austere, hallowed halls of the seminary. Singling out the boy as his intimate disciple, installing him in his palatial private quarters and redubbing him “Sacramento Santos,” Father Ángel begins Julian’s instruction into the mysteries of “perfect obedience,” whose cardinal rule is: Never question a superior’s actions.